Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

Articles | Popular | Future

ALBUM REVIEWS

Howard Riley: Live In The USA

Read "Live In The USA" reviewed by John Sharpe

This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the USA is a forward looking outing in the unaccompanied format Riley has made his own throughout a career which has seen more than fifteen ...

ALBUM REVIEWS

Howard Riley: Constant Change 1976-2016

Read "Constant Change 1976-2016" reviewed by John Sharpe

Howard Riley's discography contains at least 14 entries under solo piano. And that doesn't count the dates where he overdubbed himself two or three times. So listeners might legitimately ask the question: do we need any more? Well on this showing the answer is, unfortunately for sagging shelves, a resounding yes. Constant Change 1976-2016 brings together two CDs worth of concert and out of print selections recorded between 1976 and 1987, and supplements it with three CDs ...

LIVE REVIEWS

Howard Riley and Keith Tippett at Pizza Express

Read "Howard Riley and Keith Tippett at Pizza Express" reviewed by Duncan Heining

Howard Riley and Keith Tippett Pizza Express London March 9, 2015 It's been a while since two of the world's great improvising pianists played together--twenty-two years to be precise. This fact alone may have brought a goodly and appreciative turn-out to Soho's Pizza Express Jazz Club. If so, Howard Riley and Keith Tippett met all their expectations. delivering a three fine sets--alone and finally together. Tippett opened the event--hints of blues ...

ALBUM REVIEWS

Howard Riley: Howard Riley: Lush Life

Read "Howard Riley: Lush Life" reviewed by Duncan Heining

With the reissues of Discussions, Angle and The Day Will Come, the last few months have offered an embarrassment of riches for Howard Riley fans. We have here two recent solo recordings, one in the studio and one live in Lithuania, and a live duo album with the late, great Jaki Byard from 1985. Of course, there was a great deal going on between The Day Will Come and 10.11.12. There were duos with Keith Tippett, quartets with Art Themen ...

MULTIPLE REVIEWS

Howard Riley: Reinventing the Jazz Piano Trio

Read "Howard Riley: Reinventing the Jazz Piano Trio" reviewed by Duncan Heining

Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, The Bad Plus, Michael Wollny, Vijay Iyer and even Neil Cowley. One wondered what these writers knew of Cecil Taylor, Paul Bley, Don Pullen ...

ALBUM REVIEWS

Howard Riley: 10.11.12

Read "10.11.12" reviewed by John Sharpe

English pianist Howard Riley has found a late career champion in the Lithuanian No Business imprint. 10:11:12 constitutes his fourth release in as many years. In the liner to his previous album Live With Repertoire (2013), the pianist explained that he likes to characterize his gigs into with/without repertoire. As such this outing falls mainly into the latter camp, comprising as it does five inventions and a standard. Over the decades Riley has shown himself to be a master of ...

ALBUM REVIEWS

Howard Riley: Discussions

Read "Discussions" reviewed by Roger Farbey

The reissue on CD of Howard Riley's Discussions is to be welcomed, since it only ever saw a highly limited pressing of 99 copies when first released on the Opportunity label in 1967. It is also an important historical artefact because it provides a tangible clue as to how Riley progressed, via the foresight of David Howells at CBS, to record two outstanding albums Angle and The Day Will Come for that label. The sound quality on Discussions is not ...

ALBUM REVIEWS

Howard Riley: Live With Repertoire

Read "Live With Repertoire" reviewed by John Sharpe

British pianist Howard Riley's previous album on No Business, the monumental The Complete Short Stories: 1998-2010 (2011), was a revelation to many, collecting together 6 CDs of stunning aphoristic improvisations. However on Live With Repertoire, as the title suggests, the pianist concentrates primarily on the songbook, particularly Monk, one of his touchstones along with Ellington. In the liners Riley explains that his working method sees him treat a gig as either with or without repertoire, depending on audience, ambience and ...

PROFILES

Howard Riley: Live with Repertoire

Read "Howard Riley: Live with Repertoire" reviewed by Duncan Heining

Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one of the most gifted interpreters of the jazz repertoire in Britain or beyond. The last few years have not been easy for ...

EXTENDED ANALYSIS

Howard Riley: The Complete Short Stories 1998-2010

Read "Howard Riley: The Complete Short Stories 1998-2010" reviewed by John Sharpe

Howard RileyThe Complete Short Stories 1998-2010No Business Records2011 Veteran British pianist Howard Riley has found a champion from an unexpected source in the adventurous Lithuanian label, No Business. After issuing a double CD of the pianist's one man concert in the capital, Live In Vilnius (2010), it has gone further with a box set collecting a brace of previously released solo double disc sets along with a another two discs of ...

INTERVIEWS

Howard Riley: Five Decades in Music

Read "Howard Riley: Five Decades in Music" reviewed by Maxim Micheliov

Howard Riley gave his performance in jny: Vilnius, Lithuania in September, 2009. It was his first visit to the country in a five-decade career, and one of just a few eastern Europe destinations made at the time, by the British free jazz pianist. The concert was recorded and released in 2010 as the double-disc set, Solo in Vilnius, by No Business Records. All About Jazz: Describe your musical background. Howard Riley: I was born in ...

ALBUM REVIEWS

Howard Riley: Solo In Vilnius

Read "Solo In Vilnius" reviewed by John Sharpe

No stranger to being alone in the spotlight, Solo In Vilnius is at least the 11th such entry in English pianist Howard Riley's extensive discography. Musically active for more than 40 years, Riley, now in his 60s, enjoys an impressive résumé which name checks the cream of British improvisers, including London Jazz Composers Orchestra, Keith Tippett and Tony Oxley.

Recorded live in St. Catherine's Church in Vilnius, Lithuania, the 13 cuts spread across the two discs' 96 minutes, comprising ten ...