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Grant Simpson: Stride and True
by Robert R. Calder
Grant Simpson hits the piano cleanly, and he sounds like he hits it hard. He mentions the ever-present dry wit" of Dick Wellstood when introducing a performance of Wellstood's Dollar Dance," whose composer called it a distant relative" of Jelly Roll Morton's Perfect Rag."
Though it's necessary to mention Wellstood's likely influence on Simpson's slowish tempo through much of the opener, James P. Johnson's One Hour"--and Simpson's central commitment to Harlem stride piano--he emulates Morton by making a priority of ...
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