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Jazz Articles about João Almeida

2
Album Review

Hyper.object: inter.independence

Read "inter.independence" reviewed by Mark Corroto


The premise defined for this recording session was clear; each member of the quintet was “to develop their ideas individually and to not immediately react or engage in direct dialog with the other musicians from the group." Did they succeed? Absolutely not, and that is what ultimately makes inter.independence a success as a free improvised recording. Hyper.object comprised bassist Hernâni Faustino and pianist Rodrigo Pinheiro from the acclaimed Red Trio plus the electronics of Carlos Santos, trumpeter João Almeida, and ...

3
Album Review

André Carvalho: Lost In Translation

Read "Lost In Translation" reviewed by Jerome Wilson


Bassist Andre Carvalho conceived this album around the concept of “untranslatable words"—words for concepts that have no equivalent outside of their native language. He has used this idea to create a cycle of amorphous composition, realized here by a trio of bass, guitar and saxophone with the occasional addition of trumpet. The words come from languages such as Dutch, Urdu, Japanese and Sanskrit and can describe states of mind, grand philosophical concepts or something as mundane as a mark left ...

3
Album Review

João Almeida: Solo Sessions *||||

Read "Solo Sessions *||||" reviewed by Mark Corroto


Listening to Solo Sessions *|||| by Portuguese trumpeter João Almeida, reminds one of a passage in Jack Kerouac's seminal novel On The Road, “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in ...


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