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John Surman: Words Unspoken
by Mario Calvitti
Giunto alla soglia degli 80 anni, che compirà in Agosto, e con alle spalle oltre mezzo secolo di attività professionale che ha prodotto una discografia imponente e importante sia in termini di quantità che di qualità, il sassofonista britannico John Surman aggiunge un'altra gemma luminosa al ricco catalogo delle sue opere, in gran parte documentato sulla etichetta tedesca ECM Records. Non si tratta dell'atteso disco in duo con il pianista norvegese Vigleik Storaas, annunciato durante il loro tour europeo della ...
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by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first appearance on Manfred Eicher's groundbreaking ECM label in 1976, Surman has forged an idiosyncratic path, releasing solo, duo, and quartet albums, transcultural collaborations (such ...
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by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with Terje Rypdal, Archie Shepp, Bill Frisell and John McLaughlin, British multi-reedist John Surman needs no lengthy introduction. He just ...
read moreWako: Wako
by Mark Sullivan
Bands will often self-title their debut album, as a kind of calling card to the world at large. But doing so on a fourth album implies a serious coming of age statement: this is really who we are. That is certainly the case here. Its third album, Urolige sinn (Øra Fonogram, 2018), was a blend of composed and improvised music: a collective voice, with a rare concision and focus. This album is entirely self-composed, with the bulk of the tracks ...
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