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Jazz Articles about Nikki Iles

5
Album Review

Jim Rattigan: When

Read "When" reviewed by Chris May


Composer-arrangers as diverse as Gil Evans and Charles Mingus have employed the French horn, but it remains something of a niche instrument in jazz. Why? The same question applies to the almost complete absence of trombones in West African jazz and Afrobeat, and their ubiquity in Brazilian samba. The first convincing explanation in the Comments box below will win a night out with Sidney Powell or Rudy Giuliani. The second such explanation will win two nights. Anyway, Britain's Jim Rattigan ...

14
Album Review

Georgia Mancio: Live At ReVoice!

Read "Live At ReVoice!" reviewed by Bruce Lindsay


The name at the top of the cover of Live At ReVoice! is that of Georgia Mancio, the London-based vocalist who appears on every one of the 12 tracks. A quick glance lower down the cover adds a dozen more names--a list of Mancio's accompanists that reads like a veritable “Who's Who" of the UK jazz scene. A baker's dozen of talented performers, twelve beautifully performed songs, captured with exceptional sound quality. Mancio has organised the ReVoice! festival ...

Album Review

Nikki Iles: Hush

Read "Hush" reviewed by AAJ Italy Staff


Arriva dall'Inghilterra arriva questo disco, sognante e delicato, di un trio di altissimo livello, quello capitanato dalla pianista britannica Nikki Iles e completato da due maestri americani quali Rufus Reid e Jeff Williams, che si fanno sedurre dall'idea di un disco alla Bill Evans in cui alla raffinatezza del tocco sul pianoforte si aggiunge l'interazione sottile della sezione ritmica, il dialogo paritario a tre, le linee solistiche del contrabbasso, i colori che la batteria sparge nel percorso, senza pensare al ...

70
Album Review

Nikki Iles: Hush

Read "Hush" reviewed by Bruce Lindsay


The transatlantic band that created Hush--British pianist Nikki Iles, and American bassist Rufus Reid and drummer Jeff Williams--had never played together as a trio before their single rehearsal session on the night prior to recording at Dave Bennett's New Jersey studio in September 2010. That the album sounds like the product of years of collaboration is a testament to the trio's skills, and to these three musicians' mutual understanding, for Hush is a beautiful and affecting record.The overall ...

173
Interview

Nikki Iles: Meditation and Collaboration

Read "Nikki Iles: Meditation and Collaboration" reviewed by Bruce Lindsay


Pianist and composer Nikki Iles describes herself as one of the “not- so-young-anymore generation" of British jazz musicians--a fair comment, in chronological terms, from a musician born in the mid-'60s. But more importantly, she's a musician of experience, expertise and talent, viewed with great respect by players across the world. Iles' self-description does seem to be typical of her modest and slightly self- deprecating approach, though: she's not one for ego trips or grandiose claims. In fact, she is more ...

200
Album Review

Nikki Iles Quintet: Veils

Read "Veils" reviewed by John Kelman


The vibrancy of the British jazz scene is something that for the most part continues to elude listeners on the North American side of the Atlantic. While some artists, including trumpeter Kenny Wheeler and pianist John Taylor, are receiving their proper due--Taylor, though, only in recent times--others, including saxophonists Martin Speake , Stan Sulzmann and Iain Ballamy, still await the broader recognition they so duly deserve. Add to that list pianist Nikki Iles, who, along with some fine collaborations with ...

167
Album Review

Nikki Iles/Duncan Hopkins/Anthony Michelli: Everything I Love

Read "Everything I Love" reviewed by Jerry D'Souza


The musicians who have influenced pianist Nikki Iles come in varying temperament. They include Bill Evans, John Taylor and John Abercrombie. There can be no gripe with that focus, particularly when the music on this recording is presented in evidence.

This piano trio works well. Iles has toured with Duncan Hopkins and Anthony Michelli--the two have developed a fine working relationship setting up the rhythm for other musicians--and the closeness they have established is manifested right through. This ...


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