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John Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves are forgotten, or worse, denied. And sometimes the music is downright holy. Welcome to the church known as the Village Gate. Welcome ...
read moreJohn Coltrane: Evenings At The Village Gate
by Chris May
It is important to emphasize, at the outset of this review, that Evenings At The Village Gate is a John Coltrane album of headline significance. Recorded during a four-week run at the New York City club in August and September 1961, the disc is a snapshot of Coltrane partway through the most momentous year of his development. He is in incandescent form from start to finish, leading an astounding sextet completed by multi-reedist Eric Dolphy, pianist McCoy Tyner, twin bassists ...
read moreJoshua Jern Jazz Orchestra: Lockdown
by Jack Bowers
After taking a pleasant and romantic Midnight Stroll in 2019, trumpeter/composer Joshua Jern's Chicago-based Jazz Orchestra (like almost everyone else) began a coronavirus-decreed Lockdown but has emerged two years later from that self-imposed hiatus swinging harder and more often than ever. As before, most compositions and all arrangements are by Jern; and as before, the orchestra performs them with ardor and panache. This time around, however, there is a formidable new “weapon" on two tracks ("A Stretch ...
read moreHasaan Ibn Ali: Metaphysics: The Lost Atlantic Album
by Doug Collette
It has been years since the woefully unsung pianist Hasaan Ibn Ali recorded Metaphysics and, while its circuitous route to release is worth more than a little note, that story seems to have taken precedence over insight into and observation of the music itself. In keeping with its customarily astute archival approach, the Omnivore curating team included extensive liner notes by associate producer Lewis Porter, as well as co-producer Alan Sukoenig, both of which pieces maintain the focus on the ...
read moreHasaan Ibn Ali: Metaphysics: The Lost Atlantic Album
by Karl Ackermann
The hard bop, Philadelphia pianist Hasaan Ibn Ali had a short, troubled life. On what was believed his only recording, The Max Roach Trio Featuring the Legendary Hasaan (Atlantic, 1965), the drummer placed Ali's full image front and center, his name in a larger font on the LP cover. Within the Philadelphia jazz community, he was well-known and considered uniquely talented, if unpredictable. He practiced with John Coltrane and saxophonist Odean Pope is among those who credit Ali with inspiring ...
read moreJoshua Jern Jazz Orchestra: Midnight Stroll
by Jack Bowers
One can only imagine how difficult it must be, especially in such uncertain times, for any musician to decide that the time has come to assemble a big band and usher it into a recording studio, let alone one whose name and reputation are, more than likely, scarcely known outside his own neighborhood. Thumbing his nose at the odds, Joshua Jern, a Chicago-based trumpeter and educator with impressive talents, has done exactly that, escorting his remarkably well-groomed ensemble on a ...
read moreMcCoy Tyner Trio: Inception
by Lawrence Peryer
Though two tracks from October 1960 were previously issued under McCoy Tyner's name, they were outtakes from John Coltrane dates where the saxophonist sat out. Inception marks the pianist's first proper release as bandleader, with the sessions for Impulse! taking place at Rudy Van Gelder's studio on January 10 and 11, 1962. Of the set's six tracks, four are Tyner compositions, with “Effendi" becoming something of a modern jazz standard and embraced, most notably, by pianist Ahmad Jamal.
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