Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

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ALBUM REVIEWS

Baby-Face Willette: Behind The 8 Ball

Read "Behind The 8 Ball" reviewed by Douglas Payne

Organist Babyface Willette (born 1933) had a very brief career during the early sixties. His only real gig was grinding the B-3 in the Lou Donaldson band that featured guitarist Grant Green. He was also heard on Green's Blue Note debut and two pretty good juke-joint Blue Note dates of his own (also featuring Green). In 1964, Willette recorded two even better dates for Argo. Behind the 8 Ball is the last and best of these - and also the ...

ALBUM REVIEWS

Baby Face Willette: Face to Face

Read "Face to Face" reviewed by John Sharpe

As is the case with most organists, Willette was heavily influenced by keyboard titan Jimmy Smith. Unfortunately, in contrast to Smith's prolific output, Baby Face recorded just 4 albums under his own name and then disappeared from the jazz scene. “Face to Face", recorded in 1961, was one of two sessions he did for Blue Note (the second “Stop and Listen" was reissued last year) and features Fred Jackson on tenor, the fine R+B/jazz guitar of Grant Green and drummer ...