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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

RADIO

Freddie Hubbard and Bennie Moten

Read "Freddie Hubbard and Bennie Moten" reviewed by Joe Dimino

Beginning show number 608 with some Latin flair and doing those honors is veteran trombone cat Wayne Wallace with the tune “All The Things You Are" off his latest 2019 CD Rhythm of Invention. From that rousing point, we go into Freddie Hubbard, then Akiko Hamilton Dechter “Moment's Notice" and the great Ben Webster. We profile a new jny: Kansas City cat in B.J. Jansen and visit the old KC days with Bennie Moten. As the show carries on, we ...

CATCHING UP WITH

Trombonist Wayne Wallace racking up Grammy nods with distinctive record label

Read "Trombonist Wayne Wallace racking up Grammy nods with distinctive record label" reviewed by David Becker

Usually when a musician starts a record label, it's with no intent beyond releasing his own music. Not so with San Francisco-based trombonist Wayne Wallace. Since forming Patois Records (Motto: “Promoting improvisation") more than a decade ago, Wallace has used the label as a vehicle to promote both his own Latin jazz work and music of fellow free spirits performing everything from salsa to big-band jazz. Along the way, the label has picked up a handful of Grammy nominations, including ...

YEAR IN REVIEW

James Nadal's Best Releases of 2016

Read "James Nadal's Best Releases of 2016" reviewed by James Nadal

Having had the honor and pleasure to review over eighty records in 2016, choosing a dozen is a difficult task. There are featured blues and soul vocalists, which are maintaining the significance of these genres alive with the authentic talent and dedication required. Included are stimulating offerings from innovative fusion and experimental artists, as well as diverse instrumental and vocal performances from Africa and the Caribbean. My sincere appreciation to all the musicians, producers, promoters, publicists and friends who send ...

ALBUM REVIEW

Wayne Wallace: Latin Jazz Jazz Latin

Read "Latin Jazz Jazz Latin" reviewed by Jeff Dayton-Johnson

Trombonist Wayne Wallace and his Latin Jazz Ensemble have a well-oiled record-making machine that seems incapable of turning out a subpar album.Therein lies the mystery. The ingredients that Wallace and his bandmates pour into the machine are eminently predictable--a studiously well-sampled array of Latin rhythms, didactically specified in the liner notes; a mixture of strong original compositions and Latin settings of jazz standards; tight ensemble playing by the quintet with plenty of space to breathe; a smattering of ...

ALBUM REVIEW

Wayne Wallace Latin Jazz Quintet: To Hear From There

Read "To Hear From There" reviewed by Bridget A. Arnwine

Trombonist/composer Wayne Wallace and his music could probably be characterized by any number of clichéd phrases, but why use a cliché when the truth will do. The truth is that Wayne Wallace's To Hear From There is a far better record than its Grammy-nominated predecessor, ¡Bien Bien! (Patois, 2009), and that's saying a lot. Wallace's greatest gift to the music on To Hear From There is that he approaches it respectfully. Wallace, an American man of African ancestry, performs Latin ...

ALBUM REVIEW

Wayne Wallace Latin Jazz Quintet: To Hear From There

Read "To Hear From There" reviewed by Raul d'Gama Rose

Trombonist Wayne Wallace is one of the most melodic players on his instrument. And although he might inhabit a somewhat narrow range--eschewing the very high register--he is also one of today's most expressive trombonists. His husky tone is one of a kind and gives his playing tremendous character. Moreover, he is one of the few players who comfortable in virtually every idiom, and this is something unique as it enables him to extend his playing with subtle changes in rhythmic ...

IN THE ARTIST'S OWN WORDS

Wayne Wallace: The Thrill of the Grammys

Read "Wayne Wallace: The Thrill of the Grammys" reviewed by Wayne Wallace

I have had the honor of performing on four Grammy-nominated recordings. Mister E, by Pete Escovedo, S.F. Bay, by the Machete Ensemble, Then Some, by Steve Berrios, and Far East Suite, by Anthony Brown and the Asian American Orchestra. This was my second time being a part of a Grammy presentation, but my first as the leader of a nominated project, let alone as a presenter for the Pre-Telecast Awards ceremony. I arrived at LAX on Saturday ...


ENGAGE

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