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Diskonife, Bruno Räberg, Orientation of We & European Releases

Read "Diskonife, Bruno Räberg,  Orientation of We & European Releases" reviewed by Maurice Hogue

Bassist Bruno Räberg's reputation as a very creative cat is reinforced by his new release, The Prospector, an excellent album with saxophonist Allan Chase and drummer Austin McMahon. Find it on Orbis, Bruno's own label. Speaking of labels, vibraphonist Matt Moran started Diskonife as a new creative outlet for independent releases, which has launched with releases by him and by saxophonist Peter Hess. This week there's also a ton of great stuff from European artists, including from SPIME 2019, a ...

ALBUM REVIEW

Bruno Raberg Trio: Tailwind

Read "Tailwind" reviewed by Mark Sullivan

Tailwind is the tenth album as a leader for Swedish-born, longtime Boston-resident bassist/composer Bruno Råberg. His most recent groups have been piano-less: Hot Box (Orbis Music, 2015) was a quartet with trumpet, saxophone and drums; For The Unknown (Orbis Music, 2016) brought back the same group sans drums, and was entirely based on freely improvised music. Both albums also featured Råberg's electronic post-processing. By comparison this is a much more mainstream affair: an acoustic trio with pianist Bruce Barth and ...

ALBUM REVIEW

Bruno Raberg: Tailwind

Read "Tailwind" reviewed by Gareth Thompson

In a 2005 interview, double bassist Bruno Råberg discussed how Scandinavian music reflects the country's vast mountains and forests. “You can see very far and that calmness and meditative spirituality comes through," he says. Born in Sweden, but a longtime resident of Boston, you sense Råberg still carries his homeland close to the heart. For sure his acclaimed composing has touched base with many cultures. His previous range includes the lush Music For Strings & Soloists (Orbis Music, ...

ALBUM REVIEW

Bruno Råberg: Triloka: Music for Strings and Soloists

Read "Triloka: Music for Strings and Soloists" reviewed by Marithe Van der Aa

The number three has always had a symbolic and spiritual significance in many different religions and cultures--and, in his latest album Triloka (literally translated as 'Three Realms'), Swedish bassist Bruno Råberg pays his own personal homage to the trinity of...well, everything. Inspired by South Indian carnatic music, the album immediately cuts to the chase with its enchanting title track, “Triloka," which--not too surprisingly--has a threefold structure. The entire album is written for strings only, and despite not having ...

ALBUM REVIEW

Bruno Raberg: Triloka: Music for Strings and Soloists

Read "Triloka: Music for Strings and Soloists" reviewed by Ian Patterson

Sweden boasts a long tradition of producing notable double bassists--Georg Riedel, Palle Danielsson, Anders Jormin, Lars Danielsson, Dan Berglund and Petter Eldh all spring to mind. Bruno Råberg is another whose virtuosity and lyricism have propelled him to international renown, as a collaborator with some of jazz's most eminent names, and, since 1986, as a Professor at Berklee College of Music. As a leader on his Orbis Music label, Råberg has shifted from quartet (Ascensio 2003) and nonet settings (Chrysalis, ...

ALBUM REVIEW

Bruno Raberg: For The Unknown

Read "For The Unknown" reviewed by Dan McClenaghan

Bassist Bruno Raberg's artistry sounds as if it would be a good fit for ECM Records. His music has a drifting elasticity; space is an important component; and his muse has introduced him to electronic sound design--an approach that the Swedish-born, and now Boston-based, performer has embraced. Raberg's sound is unique. Over the course of nine CD releases as a leader, beginning with 1992's Pentimento (Boston Skyline) and building up to the release at hand, For The Unknown, ...

ALBUM REVIEW

Bruno Råberg Quartet with Phil Grenadier, Allan Chase and Austin McMahon: Hot Box

Read "Hot Box" reviewed by Budd Kopman

With Hot Box, bassist/composer Bruno Råberg and his quartet (Phil Grenadier on trumpet and flugelhorn, Allan Chase on saxophones and drummer Austin McMahon) have created a very, very cool and quite attractive modern jazz album that will stay in the ear for a long time. “Cool" here means burning on a low heat, with lots of space, long lines and a silky, soft spoken delivery. Rather than demanding attention, this music requests it; but when attention is given ...


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