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Jazz Articles about Houston Person

14
Album Review

Peter Hand: Blue Topaz

Read "Blue Topaz" reviewed by Jack Bowers


Peter Hand has a hand in almost everything on Blue Topaz, playing masterful guitar, writing seven of the album's ten engaging numbers and arranging all of them. He also spliced together a pair of blue-chip ensembles for his first small-group recording after three well-received big-band albums, and invited his longtime friend--and legendary tenor saxophonist--Houston Person to sit in on two tracks. Person had also guested on one of the guitarist's big-band recordings, Out of Hand (2014). Hand's ...

9
Album Review

Emmet Cohen: Master Legacy Series Volume 5 Featuring Houston Person

Read "Master Legacy Series Volume 5 Featuring Houston Person" reviewed by Mike Jurkovic


From its languid beginning, saxophonist Houston Person's own warmly engaging “Why Not?," to its closing, Etta James' slinky seduction “Sunday Kind of Love," Emmet Cohen's Master Legacy Series Vol. 5 Featuring Houston Person is a decidedly laid-back affair, unlike much of its predecessors which featured Jimmy Cobb, Ron Carter, George Coleman, Benny Golson and Albert “Tootie" Heath. Maybe that is just the eighty-eight year old Person's influence. His big tone and big presence fill the studio with a ...

41
Album Review

Houston Person: Reminiscing at Rudy's

Read "Reminiscing at Rudy's" reviewed by Jack Bowers


The “Rudy's" in the title of tenor saxophonist Houston Person's album, Reminiscing at Rudy's, is not a nightclub or other such venue but the New Jersey studio of celebrated recording engineer Rudy Van Gelder who died in 2016. As befits reminiscing, the bulk of the album's numbers are tender ballads, every one of which lands squarely in Person's amorous wheelhouse. That is not to say the veteran tenor saxophone maestro—who has recorded almost seventy albums as leader ...

30
Album Review

Eric Person: Blue Vision

Read "Blue Vision" reviewed by Jack Bowers


What are the odds that a Person who plays jazz saxophone would meet another Person who plays jazz saxophone, that they would become fast friends and find they were so musically compatible that they would not only perform together but decide to record an album featuring their two horns as the front line? Meet alto saxophonist Eric Person who in 2009 performed onstage for the first time with tenor saxophonist Houston Person, his senior by almost three decades but someone ...

8
Album Review

Eric Person: Blue Vision

Read "Blue Vision" reviewed by Mike Jurkovic


A veteran of Chico Hamilton, Dave Holland, and The World Saxophone Quartet, saxophonist Eric Person knows a sweet gig when he plays one. This well earned and hard earned knowledge unequivocally guarantees that Blue Vision, Person's soulful homage to late night organ trios, church, and sax legendHouston Person, is about as cool a blue session that you'll hear any time in the near future. Blue Vision has one wafting in and out of the daily routine then returning ...

11
Album Review

Various Artists: Putumayo Presents Jazz Christmas

Read "Putumayo Presents Jazz Christmas" reviewed by Jim Trageser


The Putumayo World Music compilations have achieved an enviable brand status with their wide-ranging stylistic variety and the distinctively cheerful covers by artist Lisa Gonzalez. The latest entry, Putumayo Presents Jazz Christmas joins previous entrants Putumayo Presents New Orleans Christmas (2007) and Putumayo Presents A Jazz & Blues Christmas (2008) in offering collections of holiday-themed entrants in a jazz vein. As with all of its jazz releases, Putumayo founder and curator Dan Storper's taste in jazz ...

17
Album Review

Houston Person: Live in Paris

Read "Live in Paris" reviewed by Jack Bowers


The greatest jazz musicians have one trait in common; they make everything sound so ridiculously easy that listeners are liable to lose sight of the blood, sweat and tears which brought them to that pinnacle. Tenor saxophonist Houston Person, an octogenarian who keeps sidestepping every obstacle including Father Time, is one such master; regardless of groove or tempo, he seems perfectly at home, never letting an audience see him sweat, even on flag-wavers such as “Lester Leaps In," one of ...


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