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Album Review

Torben Westergaard: Kirsebærsne

Read "Kirsebærsne" reviewed by Geno Thackara


Torben Westergaard is nothing if not restless. Latin music has been the most defining element of his career to date, though explorations such as his Tangofied series have also happily bridged music and musicians of South America with those of his native Europe. This album's immediate predecessor, Heart Tunes (self-produced, 2018), made an unexpected detour into straightforward sunny dub-ambient territory instead. Where does a curious bassist go after that, one might ask? If you guessed “the world of ...

1

Album Review

Torben Westergaard: Heart Tunes

Read "Heart Tunes" reviewed by Geno Thackara


Though Denmark may serve as a home base, Torben Westergaard's musical home can be anywhere new songs and ideas take him. The bassist was figuratively reaching halfway around the world as far back as Brazilian Heart (Self Produced, 1996). Argentina became an unexpectedly prominent touchstone, as the exploratory Tangofied (Point of Departure, 2013) grew into a three-album series joining players from South America and Europe. Fascinating as that endeavor turned out to be, Westergaard clearly felt it was time again ...

3

Album Review

Torben Westergaard: Tangofied III

Read "Tangofied III" reviewed by Geno Thackara


For the finale of his globe-spanning triptych (an unplanned endeavor that unexpectedly grew from the first installment's success), bassist Torben Westergaard considers himself to be making very much a return home. After the expanded cross-national lineup and largely Argentinian focus of Tangofied II (Gateway Music, 2014), he returned to his native Denmark to record only with the Tangofied Ensemble for the close of the cycle. This entry is a smooth blend with roots in both places that weaves songs around ...


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