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RADIO

New Music from William Parker and Whit Dickey

Read "New Music from William Parker and Whit Dickey" reviewed by Bob Osborne

Great music from the Aum Fidelity label with new albums from William Parker and Whit Dickey together with a selection of other recent releases and some classic “Bird." Playlist William Parker in Order to Survive “Eternal Is the Voice of Love II" from Live/Shapeshifter (Aum Fidelity) 00:00 Whit Dickey Tao Quartets “Peace Planet" from Peace Planet & Box of Light (Aum Fidelity) 08:56 Warren Galea “Chrysanthemums" from The Odyssey (Vento Azul) 19:30 Stephan Crump, Ingrid Laubrock, Cory Smythe ...

ALBUM REVIEWS

William Parker/In Order to Survive: Live/Shapeshifter

Read "Live/Shapeshifter" reviewed by Don Phipps

Another stellar effort from the genius known as William Parker, Live/Shapeshifter uses the immense talents of his “In Order To Survive" group -which consists of long time collaborators Cooper-Moore on piano, Hamid Drake on drums, and Rob Brown on alto sax--to craft a statement of free-wheeling dynamism at play. One of the top composers and bass players to ever take up the art form known as jazz, Parker offers up a double album's worth of material, all of it recorded ...

ALBUM REVIEWS

William Parker: Lake of Light: Compositions for AquaSonics

Read "Lake of Light: Compositions for AquaSonics" reviewed by Hrayr Attarian

Bassist and composer William Parker is a tireless innovator whose entire oeuvre is filled with singular moments of brilliance and artistic exploration. However, Lake of Light: Compositions for AquaSonics is his boldest and most unique work to date. A variation on Richard Waters' waterphone, the aquasonic consists of tone rods and contains a small amount of water. When the rods are percussed or bowed, it produces an eerie, haunting sound. Drummer Jackson Krall custom-built Parker's own version of ...

ALBUM REVIEWS

William Parker: Lake of Light: Compositions for AquaSonics

Read "Lake of Light: Compositions for AquaSonics" reviewed by Dan McClenaghan

William Parker, who plays multiple instruments, is best known for his work as a jazz bassist, leaning to the avant-garde side of the spectrum, with albums including Stan's Hat Flapping in the Wind (Century, 2016) and the marvelous 2016 offering Meditation/Resurrection (AUM Fidelity). Always an adventurous soul--he began early in his career playing with pianist Cecil Taylor--Parker puts his bass down and flies further out with Lake of Light: Compositions for Aquasonics. “Aquasonics" are sounds created by the ...

ALBUM REVIEWS

William Parker: Lake of Light: Compositions for AquaSonics

Read "Lake of Light: Compositions for AquaSonics" reviewed by Jakob Baekgaard

William Parker is known as a bassist, composer, poet, writer, educator and philosopher, but all these words just cover one term: musician. This is important to understand one of the latest releases from the prolific Parker: the alluringly titled Lake of Light, with the subtitle Compositions for AquaSonics. A musician in Parker's sense is not just someone who plays an instrument, but it is a way of being in touch with life itself: the tone world. This tone world takes ...

RADIO

A Musical Portrait Of William Parker

Read "A Musical Portrait Of William Parker" reviewed by Centro d'Arte Padova

This new installment of our “50/50" series--a collection of mixtapes made in collaboration with the artists hosted at Centro d'Arte--is dedicated to bassist and composer William Parker, a driving force of New York's free jazz scene since the 1970s, and one of the most brilliant musical minds of today's creative music. The selection features five tracks taken from the composer's vast discography; the other five are picked by William Parker himself from some of his favorite records.

LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and film in a way which matches rather than detracts from the music. For its 23rd edition the Festival returned to Brooklyn's Roulette after three ...


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