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About Evan Parker
Instrument: Saxophone, soprano
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by John Sharpe
On 6 April, the day after his 80th birthday, North London's Cafe Oto hosted a virtually sold out two-day celebration in honor of groundbreaking saxophone icon Evan Parker, bringing together a host of colleagues from across his career. Contingents from North America and Europe swelled the ranks of local well-wishers and were rewarded by some marvelous music reflecting different aspects of his artistry. Starting off proceedings on the Saturday evening, the saxophonist revisited one of his most ...
read moreEvan Parker - Barry Guy: So It Goes
by John Sharpe
Two masters who have invented a (the?) lexicon for their instruments meet on So It Goes. British saxophonist Evan Parker and his compatriot bassist Barry Guy should need no introduction to anyone interested in European free improvisation. Both active since the 1970s, they remain vital forces even with as they both move into their eighth decade. Their association was formalized in 1980 with the inception of the long running trio completed by drummer Paul Lytton. But they have also appeared ...
read moreSergio Armaroli & Evan Parker: Dialog
by John Eyles
In 2022, Italian-born vibraphonist Sergio Armaroli and British-born saxophonist Evan Parker were scheduled to tour Italy together, and go into a recording studio together to record a set of freely improvised music in real time. However, the plan fell apart because Parker became unable to leave Britain (maybe for Covid-related reasons?) Although Parker cancelled the tour and the recording session, Armaroli was keen to consider alternatives. At the time, technology did not allow musicians in distant locations to record together ...
read moreSergio Armaroli & Evan Parker: Dialog
by Chris May
Sergio Armaroli and Evan Parker's collaboration on Dialog was made possible by state-of-the-art 2022 digital technology, on which it was wholly reliant. But the structure of the music itself--call and response a.k.a. antiphony--predates the digital era by an unknown number of millennia. Located in different studios hundreds of miles apart, on different days, the two players used file-sharing to engage in what is, if not the oldest form of music making, then almost certainly the second oldest. One day in ...
read moreTrance Map+: Etching the Ether
by Glenn Astarita
"Trance Map+" is a collaborative project involving some incredibly talented musicians exploring the realms of avant-garde jazz and experimental sounds. Etching the Ether features three extended pieces, treated with Matthew Wright's live electronics and sound design. It is a production that embarks on a sonic journey, pushing the boundaries of improvisation and musical exploration.The album delves into intricate soundscapes, where each track is an evolving entity. The musicians known for their prowess in improvisation, create an enticing tapestry ...
read moreEvan Parker / Matthew Wright, Trance Map+ with Peter Evans and Mark Nauseef: Etching the Ether
by Mark Corroto
Humans have seemingly always feared new technologies. We're not even talking about AI and ChatGPT. When the first electric light bulb was invented, folks worried it would end civilization as they knew it. Artificial light certainly changed how late one stayed up at night. On the other hand, it also allowed people to find their keys after the sun had set. Any new technology can be either a master or a servant, a tool or a tyrant. The programmable drum ...
read moreJoe McPhee & Evan Parker: Sweet Nothings For Milford Graves
by John Sharpe
Two soprano saxophones loosely harmonize. They finish each other's lines, languidly intertwine, pause for air at the same moment. And simultaneously end on a dime. Musical twins. In the wrong hands such empathy might become soporific; but with two of the planet's foremost improvisers on hand in the persons of Evan Parker and Joe McPhee, instead they unlock deep wells of emotionally charged feeling. Captured at Chicago's 7th Empty Bottle Festival in 2003, this archive recording amply ...
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