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Getting Started If you're new to jazz, go to our Getting Into Jazz primer for some hints on how to listen. CD Capsule Gorgeous improvisations on some beautiful yet rarely played songs by tenor saxophonist Zoot Sims and pianist Jimmy Rowles. Background Zoot Sims was one of several tenor saxophonists who played in the spare, “cool" style originated by the legendary Lester Young. This meant a smooth, breathy tone without ...
Zoot SimsZoot Sims And The Gershwin BrothersOJC1975/2013 The Concord Music Group inaugurated their celebration of the 40th anniversary of Norman Granz's Pablo Records with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan-- Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013). These releases are to be followed by an additional five remasters, the first of which, Zoot Sims And The Gershwin Brothers, is considered here. ...
This Zoot Sims-Bucky Pizzarelli set of duets is now 33 years old but there's nary a sign of cobwebs here on a session in which the mutual pleasure of these two pros is happily apparent. If it contained only their bossa-flavored take on Michel Legrand's “Watch What Happens," it would be well worth the price. As it begins, just a deft sprinkling of Pizzarelli's notes opens a path through which flows a generous outpouring of Sims' shimmering warmth. But before ...
Jutta Hipp proves one of the more curious tales in a music whose history is full of curiosities: She grew up studying jazz piano and painting in her native Germany, then moved to New York City in late 1955. She played piano in and around the city for about a year, including performances documented on two 1956 live albums released by Blue Note.
Jutta with Zoot was recorded later in '56 and produced by Blue Note founder Alfred ...
I discovered jazz and Jack Kerouac at roughly the same time in my teens back in the early 1970s, when his seminal novel On The Road (Viking, 1957) hooked me into the bohemian world of jazz clubs, intense friendships and the never ending highway under wide open skies described in its pages.
It barely mattered that the quick fluid prose in which this hedonistic manifesto was rolled up in didn't always make sense--it was all about feeling something ...
Zoot Sims Zoot Sims and the Gershwin Brothers Pablo/OJC 1975
The beauty of jazz is there are always older recordings to be discovered and rediscovered. Zoot Sims and the Gershwin Brothers is one of these recordings. Long hailed as one of Sims's finest recordings, it was not until recently that it crossed my path. Everything in print was accurate. The recording is a blissfully successful bit of musical alchemy.
This loose-limbed rendezvous sounds exactly as it was, an impromptu late-night jam session planned on the fly in someone’s apartment—in this case, however, no ordinary apartment but “The Playhouse,” a spacious second-story room above a garage and adjacent to the main house at Falcon Lair, the imposing Beverly Hills estate then owned by tobacco heiress Doris Duke and previously occupied by legendary silent film star Rudolph Valentino. Pianist Joe Castro, who was married to Duke from 1956-64, liked to invite ...
One of the more satisfying experiences in jazz is when some long forgotten (except by a few) gems have been unearthed, dusted off and reissued (or issued for the first time0. This CD seems to be a mixture of two - first time issued and reissued sessions coming from the 1970's. Sims and Venuti collaborated for the Chiaroscuro label in 1975. But the first nine cuts on this set are from a September 27, 1973 recording which has been cleaned ...
I love jazz because I hear musicians being in the “now”, creating on the spot.
I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood
I love jazz because I hear musicians being in the “now”, creating on the spot.
I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood. My grandfather, a professional jazz pianist, once accompanied Judy Garland when she strolled into the Chicago hotel where he played; one of the songs they performed was, of course, “Somewhere Over the Rainbow.” I never got to hear my grandfather play, because he gave up “the life” when he moved to California, when my dad was still in high school. However, my grandpa remains an inspiration, so I wrote an arrangement of “Somewhere” in Latin Jazz style, and dedicated to my father and to the memory of my grandfather.
The first jazz record I bought was McCoy Tyner, “Dimensions.” McCoy is a great influence on my piano playing to this day.
My advice to new listeners is, have an open mind; let the music develop, let the artists take you on a journey. Jazz is human, personal, and carries great immediacy. In an age where technology replaces the human element in much art, jazz in general is all about the performance. Even in recording, it is a moment of spontaneity frozen in time. So support live music, support live jazz! Keep us human in the modern world.
