Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help

Jazz Articles | Blog

Funk Jazz: '60s-'70s

Read "Funk Jazz: '60s-'70s" reviewed by

Somewhere between the soul-jazz of the early sixties (often called “funk" in its day) and the disco of the mid-seventies, funk jazz was born. Rock was already crossing over into jazz. And it just made sense that rock would inject soul jazz with a greater sense of urgency and a stronger feel for the groove. Funk had that thing that made soul and any other kinds of dance music what it was--a deep, true conviction to getting you ...

INTERVIEWS

Les McCann: Never Say No Again

Read "Les McCann: Never Say No Again" reviewed by

"Be who you are and not who you ain't. Because when you are who you ain't, you're not who you are." Keyboardist, vocalist, bandleader, songwriter and photographer Les McCann really talks like this. About his music, about musicians, about his career--about everything. I learned this during the following interview, scheduled to discuss Omnivore Records' March 2015 reissue of McCann's improvisational landmark Invitation to Openness, generally out of print since its original 1972 Atlantic Records' release; this reissue was ...

CD/LP/TRACK REVIEW

Les McCann: Invitation to Openness

Read "Invitation to Openness" reviewed by

It is a simple matter of acid-base stoichiometry like that learned in any quantitative chemical analysis or medicinal chemistry course. If one treats the acid element of Parliament Funkadelic's Maggot Brain (Westbound, 1971) with the sweet bass of Leroy Vinnegar, then infuse as with juniper with gin, with honey and morphine: Les McCann's monumental Invitation to Openness would result. Ornette Coleman may have detonated a nuclear music device with Free Jazz; A Collective Improvisation (Atlantic, 1961), but it was McCann ...

CD/LP/TRACK REVIEW

Les McCann: Invitation to Openness

Read "Invitation to Openness" reviewed by

Les McCann is an interesting figure in jazz. After winning a talent contest on the Ed Sullivan Show in '56, McCann turned down an opportunity to join Cannonball Adderley's group, deciding instead to form his own jazz trio in Los Angeles. Playing a popular blend of hard bop and soul jazz, he signed with Pacific Jazz in '60, produced several enjoyable albums, and continued to develop and define the sound he wanted. That sound, a restless brew of jazz, funk, ...

CD/LP/TRACK REVIEW

Les McCann: Pump It Up

Read "Pump It Up" reviewed by

The venerable jazz pianist and vocalist Les McCann finds himself a master of funk on Pump It Up. With a “tight as a fist” rhythm section of bass, drums, guitar and Hammond B-3 organ, McCann’s band has a groove funkier than the law allows. Crisp drumming with hammering backbeats, plus chunky bass and organ figures underscore McCann’s vocals that at times more closely resemble a rap recitation than singing. Honking saxophone solos and harmonious background vocals that comment on McCann’s ...

CD/LP/TRACK REVIEW

Eddie Harris & Les McCann: Second Movement

Read "Second Movement" reviewed by

After Eddie Harris and Les McCann recorded the legendary album, Swiss Movement, they didn't rest on their laurels. Nor did they go their separate ways.They recorded another album, Second Movement. However, Second Movement never has been available on CD until now, now that Label M's Joel Dorn has revisited that session with yet another valuable release on the new label.While Swiss Movement was recorded live before a cheering and vocally appreciative audience at Montreaux, Second Movement ...

CD/LP/TRACK REVIEW

Les McCann / The Mitchell-Ruff Trio: 20 Special Fingers

Read "20 Special Fingers" reviewed by

The twenty fingers in the title for this double reissue CD come from two exciting piano trios of the 1960s. Both Les McCann and Dwike Mitchell offer blues-based, gospel influenced piano storytelling on their Atlantic albums Much Les and The Catbird Seat, respectively. McCann was at the peak of his career then, still using an acoustic piano and always infusing a groove into his work. Mitchell and Ruff started out at about the same time as McCann: the mid-‘50s. Bassist ...

CD/LP/TRACK REVIEW

Les McCann/Mitchell-Ruff Trio: Twenty Special Fingers

Read "Twenty Special Fingers" reviewed by

The idea goes like this. The hip and jazz-loving Joel Dorn and his folks as 32 Jazz have decided to introduce a series whereby they put out two albums by different artists that are somehow related in one package. This two-disc set brings together two Atlantic classics, the previously available Much Les from Les McCann and the long out-of-print The Catbird Seat by the Mitchell-Ruff Trio. So it tells us in the opening liner notes, McCann had expressed his affection ...


All About Vince Guaraldi!

An exclusive opportunity for All About Jazz readers to participate in the celebration of a jazz legend.