Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

Articles | Featured | Future

CD/LP/TRACK REVIEW

King Crimson: Sailors' Tales 1970-1972

Read "Sailors' Tales 1970-1972" reviewed by

If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its first lineup--could always be argued as producing some of the group's very best. This, despite a revolving-door lineup and, even, significant doubts and frustration ...

LIVE REVIEWS

King Crimson at Lisner Auditorium

Read "King Crimson at Lisner Auditorium" reviewed by

King Crimson Lisner Auditorium at George Washington University Washington DC October 28, 2017 The original King Crimson burst like a supernova upon the 1969 music universe, with talents from Jimi Hendrix to Pete Townshend extolling its virtues. The quickly departing band members ultimately would become integral parts of groups from ELP to Foreigner, Camel, and the Alan Parsons Project, as Robert Fripp's vision and acerbic personality became overbearing. As such, the continually ...

CD/LP/TRACK REVIEW

King Crimson: Official Bootleg: Live in Chicago, June 28th, 2017

Read "Official Bootleg: Live in Chicago, June 28th, 2017" reviewed by

As many King Crimson fans eagerly await the November release of its latest 40th Anniversary Series box set--this time spanning the years 1970 through 1972, when saxophonist/flautist Mel Collins was a constant alongside band co-founder/guitarist Robert Fripp for three studio albums (1970's In the Wake of Poseidon and Lizard, and 1971's Islands) and one live album (1972's Earthbound)--along comes Official Bootleg: Live in Chicago, June 28th, 2017, another “warts and all" live soundboard recording along the lines of Live In ...

LIVE REVIEWS

King Crimson at Salle Wilfrid-Pelletier / Massey Hall

Read "King Crimson at Salle Wilfrid-Pelletier / Massey Hall" reviewed by

Part 1 | Part 2 An Evening with King Crimson Salle Wilfrid-Pelletier / Massey Hall Le Festival International de Jazz de Montréal / Non-Festival Event Montréal, Canada / Toronto, Canada July 3, 2017 / July 5, 2017 Having covered the reunited, refreshed and reinvigorated “seven-headed Beast of Crim" for two nights each in San Francisco in 2014 and, again, in Montréal in 2015, was there really a good reason to see ...

EXTENDED ANALYSIS

King Crimson: On (and Off) The Road

Read "King Crimson: On (and Off) The Road" reviewed by

Sometimes the best music--and some of the best bands--are those that come from the most difficult of births. When King Crimson co-founder/guitarist Robert Fripp had the idea for a new band after dissolving the last incarnation of the '70s-era Crimson lineups seven years prior, it was a completely new concept and, with the exception of returning drummer Bill Bruford, a totally revised lineup. Gone were the mellotrons and symphonic leanings of old. In their place: technological advancements including ...

EXTENDED ANALYSIS

King Crimson: Radical Action (To Unseat The Hold of Monkey Mind)

Read "King Crimson: Radical Action (To Unseat The Hold of Monkey Mind)" reviewed by

Plenty has already been written about King Crimson's surprise reemergence in 2014 at All About Jazz, beginning when the now 47 year-old progressive/art rock band commenced its first tour since 2008 (and its first extensive one since 2003) with a new, expanded lineup featuring a front-line of three drummers and a back-line of two guitarists (one, also, a vocalist), a bassist/stick player and a reed/woodwind multi- instrumentalist. From reviews of two nights at San Francisco's Warfield Theater in the fall ...

EXTENDED ANALYSIS

King Crimson: Live in Toronto: Queen Elizabeth Theatre, November 20, 2015

Read "King Crimson: Live in Toronto: Queen Elizabeth Theatre, November 20, 2015" reviewed by

"The best live albums are the ones that make you glad they were recorded while simultaneously regretting you couldn't have been in the venue on the night." So writes Declan Colgan, president of Panegyric Records--the label responsible for, amongst other things, King Crimson's extensive 40th Anniversary reissue series of its initial run of studio and live albums, remixed by Steven Wilson or Jakko M. Jakszyk--in his liner notes to Live in Toronto: Queen Elizabeth Theatre, November 20, 2015, the full-concert ...

LIVE REVIEWS

King Crimson at Theatre St-Denis

Read "King Crimson at Theatre St-Denis" reviewed by

King Crimson Théâtre St-Denis Montréal, Canada November 16-17, 2015 When King Crimson's only original member and co-founder, guitarist Robert Fripp, announced unexpectedly that the band was coming out of retirement in 2013, other than the unconventional lineup nobody had any idea what to expect other than the brief snippets being released at the band's DGM Live site, which suggested that this “seven-headed Beast of Crim," in addition to new material, would be revisiting songs not ...

EXTENDED ANALYSIS

King Crimson: THRAK BOX - Live and Studio Recordings 1994-1997

Read "King Crimson: THRAK BOX - Live and Studio Recordings 1994-1997" reviewed by

After three years spent extensively focusing on its 1972-'74 lineup--documented over a massive 66 CDs, DVDs and Blu Rays (plus some additional downloads) on Larks' Tongues in Aspic (40th Anniversary Series Box) (Panegyric, 2012); The Road to Red (Panegyric, 2013); and Starless (Panegyric, 2014)--King Crimson turns the clock ahead 20 years to an almost completely different lineup, a radically different sound and a far more unwieldy six-piece incarnation dubbed “the double trio" on THRAK BOX: King Crimson Live and Studio ...


Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!