All About Jazz

Home » Articles | Reviews Only

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

Articles | Featured | Future

IN PICTURES
CD/LP/TRACK REVIEW

John Scofield: Combo 66

Read "Combo 66" reviewed by

The dignified portraits of John Scofield on the front and back covers of Combo 66 are at once in keeping with the reference to his age in the album's name and at odds with the youthful vigor he and his bandmates exhibit in playing the music inside this subtly eye-catching package of all new material. No wonder there's no formal credit for production in the liner details. As on “Can't Dance," the musicianship no doubt flowed effortlessly and ...

CD/LP/TRACK REVIEW

John Scofield: Combo 66

Read "Combo 66" reviewed by

It doesn't seem like thirty one years since this reviewer was first blown away by John Scofield's Blue Matter band in an old, reimagined church in Colchester, England. Three decades and thirty-four more CDs as leader later, Scofield continues to seduce with his virtuosity, his eclecticism and, no matter the setting, that inimitable sound. Combo 66 marks Scofield's sixty-six years, whilst also celebrating a new working group. Sure, Bill Stewart has been collaborating with the multiple Grammy-winning guitarist since the ...

RADIO

Sco in Baton Rouge, Okazaki vs. Monk, Sax-less Trane covers & more

Read "Sco in Baton Rouge, Okazaki vs. Monk, Sax-less Trane covers & more" reviewed by

This week we fired up the locals for the super John Scofield Baton Rouge concert on October 4th; did a Miles Okazaki/Thelonious Monk compare & contrasts with two of Monk's most challenging compositions; played sax-less Trane covers from guitarist Simone Manunza & Jessica Williams solo at the 88s; and spun some 21st century jazz that caught our fancy. All of that, while Lady J was on the other side of the glass waiting for a slow dance. ...

IN PICTURES
CATCHING UP WITH

John Scofield: Jazz Inspires You To Try Something Different

Read "John Scofield: Jazz Inspires You To Try Something Different" reviewed by

In a career that has spanned over several decades with releases that have encompassed various types of musical styles and sounds, guitarist John Scofield has always managed to emphasize the importance of melody by building fragments of hummable tunes around musically abstract compositions. His record Country for Old Men (Impulse!, 2016)--the title is a play on the Coen brothers film No Country for Old Men--is comprised of classic country songs, where he pays tribute to songwriters including George Jones, Hank ...

LIVE REVIEWS

John Scofield's Country for Old Men at the Ardmore Music Hall

Read "John Scofield's Country for Old Men at the Ardmore Music Hall" reviewed by

John Scofield's Country for Old Men The Ardmore Music Hall Ardmore, PA September 24, 2016 There are probably only are a handful of guitarists with a catalog as deep and stylistically diverse as John Scofield's. One of the obvious perils that these artists encounter when touring is facing an audience with fans from different stages of their careers--with different expectations. Short of doing an exhaustive retrospective every time out, this can almost guarantee a certain ...

EXTENDED ANALYSIS

John Scofield: Country for Old Men

Read "John Scofield: Country for Old Men" reviewed by

When guitarist Bill Frisell first began a more decided focus on roots music, bluegrass and country & western music with the release of 1996's Nashville (Nonesuch), despite being largely very well-received, jazz purists rankled when the largely bluegrass/folk-informed album began to garner awards like Downbeat Magazine's Best Jazz Album of the Year. While Frisell's oftentimes Americana-tinged work has, in the ensuing years, become more fully accepted for the wonderful music that it is, fellow six-stringer John Scofield is unlikely to ...

REDISCOVERY

John Scofield: Live

Read "John Scofield: Live" reviewed by

John Scofield LiveEnja Records1977 After a lengthy hiatus, Rediscovery returns with an album that may not have represented the first time I'd heard John Scofield...but it was certainly the album that cemented my already firm impression that this was a guitarist on whom I'd have to keep a close watch. Nearly forty years later he remains a personal favourite, and while he's released a gaggle of terrific records, including last year's stellar Past Present (Impulse!), ...

LIVE REVIEWS

John Scofield and Joe Lovano at the Regattabar

Read "John Scofield and Joe Lovano at the Regattabar" reviewed by

John Scofield and Joe Lovano Regattabar Cambridge, MA September 18, 2015 John Scofield has appeared in so many different musical settings, particularly in the past twenty years, that it is easy to forget that while he is capable of exquisite blues, funk, rock and fusion, it is in the company of perhaps his finest straight-ahead quartet that he burns brightest. Similarly, though tenor saxophonist Joe Lovano has garnered acclaim for decades now ...