Jazz Articles | Future

THE VINYL POST

Passion, Grace and Fire

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Although they are primarily known for their gold CD reissue program and multi-channel SACDs, the Audio Fidelity firm has recently plunged into the vinyl market with a small number of titles. These limited edition 180 gram pressings are remastered by Kevin Gray at Cohearent Audio and packaged in glossy gatefold covers. Tapping into some music not usually associated with audiophile editions, Audio Fidelity's most recent batch of releases wisely includes the superlative 1982 release Passion, Grace, and Fire by guitar ...

CD/LP/TRACK REVIEW

John McLaughlin: Where Fortune Smiles

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Where Fortune Smiles although customarily attributed to John McLaughlin is as much John Surman's record as it was the Mahavishnu's. But it's probably more accurate to describe it as a collective recording since all five musicians were equally matched players of international standing. The cover art actually depicts all five musicians' names and the title of the album in an egalitarian circular arrangement. The album was recorded at Apostolic Studios, New York in late May 1970, at a time when ...

CD/LP/TRACK REVIEW

John McLaughlin and the 4th Dimension: Live at Ronnie Scott's

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Music has taken him and his guitar to some of the most exotic far reaches of the world, but Ronnie Scott's Jazz Club will always have a special place in John McLaughlin's heart. His mid-1960s time in the famous jny: London venue's house band was a key early step in his musical life, and he idly wonders “where would I be without them?" five decades later. No doubt he would still be a legend today; such boundless curiosity and imagination ...

INTERVIEW

John McLaughlin's American Farewell Tour with Jimmy Herring

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Nearly five decades have passed since John McLaughlin set foot in America as a relatively unknown musician to join the fusion band Lifetime, with the great drummer Tony Williams and equally great organist Larry Young. Two days later he was in the studio with Miles Davis recording In a Silent Way. The breadth and scope of his musical endeavors in the ensuing decades boggle the mind. It's doubtful we will ever fully know the impact he has had on music ...

CD/LP/TRACK REVIEW

John McLaughlin, Al DiMeola, Paco DeLucia: Friday Night in San Francisco

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On 5th December, 1980, Al Di Meola, John McLaughlin, and Paco De Lucia were two months into what had so far been an extremely successful and creative tour. Even just the concept itself was intriguing--three guitarists, and acoustic to boot! With not a drummer, percussionist, or bassist in sight. The sheer novelty of it all. Recorded at the Warfield Theatre, California, Friday Night in San Francisco manages to capture this triumvirate trio of instrumentalists at the apex of their abilities. ...

CD/LP/TRACK REVIEW

John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987

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It's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words “fusion," “jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of ...

TALKING 2 MUSICIANS

John McLaughlin

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With a musical career that spans five decades and as many continents, John McLaughlin has established himself as one of the premier guitarists on the world stage. At the age of 73 his youthful vigor is nothing short of astounding. If he's not touring with one of his two working bands, chances are he's either preparing for his next tour, or he's in the recording studio, or he's embarking on a new project that has captured his imagination. He continues ...

BUILDING A JAZZ LIBRARY

John McLaughlin

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Few tasks are more daunting than picking just ten of a great jazz artist's albums for a library collection. Each record adds in its own way to the appreciation of any artist. But in the case of guitarist John McLaughlin (b. 1942), choosing representative albums is made an even more difficult chore because so many of his records run at odd angles to each other. He seems to change styles so often that just keeping track can be a daunting ...

BUILDING A JAZZ LIBRARY

Modern Jazz Guitar

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Six strings, ten fingers, improvisation, and a sense of adventure: these are the tools required to play modern jazz guitar. While guitar greats like Wes Montgomery and Jim Hall laid the foundation for bop guitar, a whole new crop of musicians came of age starting in the late '60s. Modern jazz guitar, for lack of a better term, describes the new players who took the traditional forms and twisted them asunder. The new generation has absorbed swing, bop, ...


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