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Gary Peacock Trio at the Jazz Standard

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Gary Peacock Trio Jazz Standard New York, NY November 7, 2017 We rarely experience true freedom anymore. At random we're caught in someone's selfie or observed by a traffic or security camera. Hackers hack and everyone knows your vital information and search history. The machine knows your algorithm and sends specific ads to your desktop. Your cell phone has GPS. Freedom isn't another word to lose when they've confiscated all the words. And ...

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Gary Peacock Trio at Jazz Standard

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Gary Peacock Trio Jazz Standard New York, NY November 7, 2017 Anyone old enough to remember when special effects in films were handmade has probably noticed the lack of apparent weight in modern CGI. Compare, for example, the cityscapes of Blade Runner 2049 to those of its 1982 predecessor, wherein every physical model feels integrated into its surrounding environment. Gary Peacock is among an increasingly rare crop of artists bringing those nostalgic feelings ...

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Gary Peacock: Tangents

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Throughout his storied career, bassist/composer Gary Peacock has gone a long way to make the bass an emotive and compelling solo instrument. Yet, when one looks back on--or better yet--listens back to the myriad of great recordings he has given us both as a sideman and leader, it is his emphatic, soul-intuitive, work within the piano trio format that makes us grateful. Think Bill Evans's '64 Verve debut Trio64. While ruminating in '64, listen to Peacock's exemplary work on Paul ...

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Gary Peacock Trio: Tangents

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Considering his nearly sixty-five years of recording, Gary Peacock has been relatively selective in his choice of leader projects. His association with luminaries Albert Ayler, Paul Bley, Bill Evans and Keith Jarrett have put him in the company of jazz history makers. When Jarrett's Standards Trio, with Peacock and drummer Jack DeJohnette, disbanded in 2014 after over twenty recordings, Peacock launched his own piano trio with pianist Marc Copland and drummer Joey Baron. Tangents is the follow-up to Now This ...

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Gary Peacock Trio: Now This

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On some level it must be daunting to play in a piano trio with bassist Gary Peacock. He's a longtime member of the Keith Jarrett Standards Trio (with drummer Jack DeJohnette), arguably the definitive contemporary piano trio. Before that, he worked with the great Bill Evans, and with iconoclast Paul Bley (often in the company of drummer Paul Motian). But this group has its own history: he and pianist Marc Copland have an extensive discography together since 2008, ...

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Gary Peacock Trio: Now This

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Some of bassist Gary Peacock's earliest musical associations speak to a career that has been nurtured by unusually well-rounded experiences. Subbing for Ron Carter in gigs with Miles Davis, playing with the Bill Evans Trio and pianist Paul Bley and a stay with saxophonist Albert Ayler provided Peacock with foundations that ran the gamut from main-stream balladry, to conceptually modern jazz to the most unrestricted free jazz. All of which led up to the three-decades long relationship with Keith Jarrett ...

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Gary Peacock / Marilyn Crispell: Azure

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Who leads a project is often nothing more than a matter of optics. Bassist Gary Peacock's name may come first on the cover of Azure, but there's no doubt that this is a collaborative affair, with pianist Marilyn Crispell an equal participant; the two even co-produced the recording, with label head Manfred Eicher nowhere to be found. Peacock and Crispell have worked as a duo for years, in addition to delivering two sublime trio recordings for the label with the ...

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Keith Jarrett / Gary Peacock / Jack DeJohnette: Somewhere

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It's been four years since a recorded peep has been heard from pianist Keith Jarrett's Standards Trio, despite continuing to perform a few select dates each year. But even its last few ECM releases--2009's Yesterdays, 2007's My Foolish Heart and 2004's The Out-of-Towners--were all culled from a clearly fruitful 2001, making it well over a decade since a new recorded note has been heard from Jarrett's longest-lasting group. Fine albums all, the dearth of anything since that time has nevertheless ...

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Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

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At almost 85 years old Lee Konitz can play whatever he damn well pleases on his alto saxophone, and it's a good thing he does. He may currently be making some of the most interesting music of his long career. Enfants Terribles: Live at the Blue Note teams Konitz with three first-rate musicians--all jazz stars in their own right--for an album of standards so loosely interpreted that finding the recognizable melody is a bit like a “Where's Waldo" puzzle. It's ...


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