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Articles | Featured | Future

CD/LP/TRACK REVIEW

Albrecht Maurer - Norbert Rodenkirchen: Loplop's Call

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German and international music scene stalwarts, violinist Albrecht Maurer and flutist Norbert Rodenkirchen juxtapose the visual arts with music, focusing on German surrealist painter Max Ernst's ideologies, poetry, and techniques duly noted in the album liners. Here, the duo casts a hybrid, folk, jazz, and classical muse while bringing a polytonal agenda to the forefront, and uncannily melding a sense of antiquity with a newfangled complexion. These aspects are partly attributed to Maurer's use of a gothic fiddle that forges ...

CD/LP/TRACK REVIEW

Theo Jorgensmann / Albrecht Maurer: Melencolia

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Melencolia is based on Abrecht Dürer's 1514 engraving by the same name, created during Germany's horrific Peasants' Wars. However, these prominent jazz and avant-garde artists unite the brighter side of life to offset some fierce interactions. The lower register of Theo Jorgensmann's G-low clarinet synchronizes with Albrecht Maurer's violin and viola phrasings, bringing the duo closer from a timbral perspective. As such, the music emerges from a similar plane and intimates a tighter soundscape with a narrowed gap ...

CD/LP/TRACK REVIEW

Kent Carter & Albrecht Maurer: The Juillaguet Collection

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Bassist Kent Carter moved from the United States to Europe in the 60’s which has led him on somewhat of a storybook course through the British Free-Jazz movement, stints with Steve Lacy, Paul Bley and many others. Here, the master bassist performs a series of duets with the equally adept violinist Albrecht Maurer taking place at Carter’s recording studio in the quaint town of “Juillaguet”, which appropriately translates into The Juillaguet Collection.

Throughout these nine pieces, Carter and Maurer exhibit ...

CD/LP/TRACK REVIEW

Kent Carter / Albrecht Maurer: The Juillaguet Collection

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Free improvisations that are stunning in their richness and melodic tonalities. Bassist Kent Carter, a veteran of Steve Lacy's Seventies groups, and violinist Albrecht Maurer obviously know each other very well. The music they make together is full of “conventional" harmonies as much as it is of dissonance, so that these pieces sound classically designed and wide-ranging, as if Stravinsky or Mahler had suddenly taken up free improvisation.

Each is a lovely little piece, with the longest (and one of ...