Articles containing - house of counted days

CD/LP/TRACK REVIEW February 9, 2003

Ron Thomas Quartet: The House of Counted Days

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Pianist Ron Thomas leads a quartet with a trumpeter (John Swana) out front on The House of Counted Days, and two things jump out: an obvious Miles Davis influence, and some striking originality.The opener, “Fancy of Fate," pushes you off balance. An oddly percussive workout, jaunty, ebullient, crisp; and the frame of reference is anybody's guess. Bassist Tony Marino works that big fat rubber band thing (four of them) on upright--muscular, with gorgeous sustaining power--while trumpeter Swana bites ...

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Don't You Feel My Leg (The... by Maria Muldaur
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Venetian Blinds by Mike Freeman
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The Heart Intact by Wataru Uchida

The Heart Intact
Wataru Uchida
Self Produced, 2018
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The Sovereign One
Monique DeBose
Self Produced, 2018
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Don't You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker)
Maria Muldaur
Last Music Company, 2018
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Story of the Day

I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
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I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz. Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports. It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!! When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so “jazzy”. It's because I understand “Blue Notes”, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd. I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students. My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together! Most of the people that I know today do not “get” jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it. In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather. I love John Kelman's articles. They are so insightful and well-constructed! Thank you all for doing what you do.
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By David Freshman
Member since: 2018