Home » Jazz Articles » Album Review » Alan Pasqua: My New Old Friend

216

Alan Pasqua: My New Old Friend

By

Sign in to view read count
Alan Pasqua: My New Old Friend
When he was a member of drummer Tony Williams' jazz/fusion Lifetime unit back in the 1970s, pianist Alan Pasqua frequently conveyed a delicate touch when performing on electric keys. Yet after all these years, he is first and foremost a jazz pianist. With his latest piano trio effort, Pasqua garners sensitive support from the top-flight rhythm section of bassist Darek Oles and drummer Peter Erskine.

A supreme melody maker, Pasqua imparts a touch of class during these eleven carefully constructed works. Owing to the Bill Evans school, the artist's elegant voicings shine forth, regardless of pitch or tempo. And whether he's executing introspective or heartwarming chord clusters and delicate single-note runs, Pasqua conveys a noticeable sense of self-assuredness.

The trio steps it up on the perky, swing vamp "One More Once, featuring Erskine's solo spot intermixed with lower-end harmonies and Pasqua's brisk right-hand runs. One of the standout works is the trio's jazzy, ballad-like treatment of singer Glen Campbell's late 1960s pop hit "Wichita Lineman (composed by Jimmy Webb). Here, Pasqua delves deep into the primary theme via quaintly arranged arpeggios topped off with bittersweet single note lines. Nonetheless, the band explores various rhythmic patterns amid disparate angles throughout the preponderance of this indubitably appealing studio date.

Track Listing

You Must Believe in Spring; Barcelona; Highway 14; All the Things You Are; My New Old Friend; Body and Soul; One More Once; Vienna; Wichita Lineman; Stick Slap; Smile

Personnel

Alan Pasqua: piano, whistle; Darek Oles: bass; Peter Erskine: drums; Lina Brunkell: vocal (3).

Album information

Title: My New Old Friend | Year Released: 2005 | Record Label: Cryptogramophone


< Previous
Senderos

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

New Start
Tom Kennedy
A Jazz Story
Cuareim Quartet
8 Concepts of Tango
Hakon Skogstad

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.