Ron Brendle may not be a household word in New York, Chicago, or West Coast jazz clubs, but he is regarded as the leading bassist in the vicinity of Charlotte, North Carolina. Brendle has been the recipient of several awards in this regard and has collaborated with pianist Frank Kimbrough, another North Carolina native, on several albums over the past few years. This new release, although recorded in 2002, is their fourth effort on Brendle's own LoNote label.
Photograph consists of seven compositions by Frank Kimbrough and Ornette Coleman, with one tune by Brendle. Kimbrough, who has a lengthy recording history as leader and sideman, is known as a player who is comfortable with both mainstream and outside jazz. The presentation of alternate compositions by Kimbrough and Coleman offers an interesting contrast. On "Affirmation" and "Southern Lights" the pianist is firmly engaged in modal, introspective trio jazz, while "Centering" has a bit of a Monkish influence.
On the other hand, Coleman's "Comme Il Faut" and the lengthy "Broken Shadows" present a more fragmented melody. On the latter tune, Kimbrough's playing evolves into a Paul Bley-like piano solo over the course of the eleven-minute track. Although Ron Brendle reports that the music of Paul Bley and Ornette Coleman were the chief inspirations for this album, most of the flavor of Photograph is squarely in Bill Evans territory.
It is also obvious that these three musicians have a longstanding musical relationship and a shared intuition. Ron Brendle gets several opportunities for solos and otherwise anchors the trio with a steady pulse.
Track Listing: Affirmation, Ramblin', Southern Lights, Comme Il Fout, Centering, Broken Shadows, Passing By
Personnel: Ron Brendle, bass; Frank Kimbrough, piano; Al Sergel, drums
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!