311

Philly Joe Jones: Philly Mignon

Derek Taylor By

Sign in to view read count
Pun-laden title aside this is a gourmet collection of hard swinging jazz. Philly Joe in his later years may have been a shade less audacious than in his youth, but you’d never know it listening to his bristling precision traps work on these five tracks. Manning his kit like a man possessed Jones pushes his rhythm mates with well-worn sticks and cast iron swing. He and Carter are actually the only constants with two different front lines cycling through the cuts and Cables sitting out for two. Adderly and Sullivan are paired on “Confirmation,” “Jim’s Jewel” and “United Blues.” Gordon sounds off all by his lonesome on “Neptunis” and “Polka Dots and Moonbeams.”

The tunes have a loose ‘blowing date’ ambience that contributes to feeling of good cheer. Bird’s “Confirmation” receives the royal treatment via Cables resplendent chord negotiations and Sullivan’s fluttery tenor brawn. Jones moves in for a solo that is surprisingly sedate before taking things out. Gordon keys the pace down a few notches on the ballad “Neptunis.” Blowing beautiful commentary with Cables colorful comping on the initial head he moves effortlessly into a signature solo bursting with healthy sentiments and confident poise. Carter’s walking gait is a little rubbery due to amplification, but Jones keeps the rhythm ambulating with strategically wedged cymbal accents. The absence of Cables and Sullivan’s exotic soprano on “Jim’s Jewel” again shifts the mood. It’s an interesting opportunity to hear Jones without the chordal safety net provided by the presence of a piano. Also unexpected and of interest is Gordon’s raspy vocal preface to the romantic run through of “Polka Dots and Moonbeams.” Old ground to be sure, but even a well-trodden tune such as this is ideal fodder for these musicians to uncover the magic just under the surface. As a mixed entrée of meaty vittles and nourishing musical greens this disc definitely hits the spot.


Track Listing: Confirmation/ Neptunis/ Jim

Personnel: Nat Adderly- cornet; Ira Sullivan- tenor & soprano saxophones; Dexter Gordon- tenor saxophone; George Cables- piano; Ron Carter- bass; Philly Joe Jones- drums. Recorded: November 29 & 30, December 1, 1977, Berkeley, CA.

| Record Label: Galaxy Music Group | Style: Straight-ahead/Mainstream


Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Jersey" CD/LP/Track Review Jersey
by Hrayr Attarian
Published: July 9, 2016
Read "Heads & Tales Volume 2" CD/LP/Track Review Heads & Tales Volume 2
by Roger Farbey
Published: October 28, 2016
Read "Rumba Con Flores" CD/LP/Track Review Rumba Con Flores
by Bruce Lindsay
Published: March 15, 2016
Read "Electric Ascension" CD/LP/Track Review Electric Ascension
by John Sharpe
Published: October 5, 2016
Read "Live InTokyo" CD/LP/Track Review Live InTokyo
by Mark Corroto
Published: July 12, 2016
Read "Another Day in Fucking Paradise" CD/LP/Track Review Another Day in Fucking Paradise
by Glenn Astarita
Published: September 6, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!