Philip Glass: The Photographer

Nenad Georgievski By

Sign in to view read count
Philip Glass: Philip Glass: The Photographer Apart from the recognizable repetitive patterns and melodies that adorn composer Philip Glass' music, there is also one recurring theme that reappears throughout his rich and illustrious career regardless if it is opera, symphony, theatre piece or soundtrack. That is the lives of luminaries, revolutionaries, discoverers, erudite scholars whose lives, words and actions have made a difference in the world and have inspired his music. In a range that includes Albert Einstein, Mahatma Gandhi, Pharaoh Ankhnaten, Walt Disney, Galileo Galilei, Yukio Mishima, Allen Ginsberg or the Dalai Lama, these people have, one way or another, provided the creative fuel for Glass to compose his unique, mesmerizing music.

So, it is not surprising that Glass' 1983 work The Photographer was inspired by the life and work of Eadweard Muybridge, an eccentric 19th century English innovator and photographer who developed a miraculous process for capturing movement on film, thus laying the ground work for the motion picture industry. Originally commissioned by the Holland Festival in 1982, this musical drama is based on an event in Muybridge's life—the murder of his wife's lover. A subsequent trial was international news, as Muybridge became the first "celebrity murderer" in American history.

According to liner notes, this work was planned as a three-part project—a play, a concert and a dance. The piece is divided into three acts, of which the first is "A Gentleman's Honor" (vocal) where apparent slow and simplistic trance-like melodies, buoyed by female vocals, create strange landscapes that radiate an unsentimental beauty. The text was written by Talking Heads' singer David Byrne. "Act II" is a perfect example of how mesmeric and transcendent Glass's work can be. With its gradual climaxes, repetitive patterns and Paul Zukofsky's driving violin, it is one of Glass' most powerful compositions ever. While his music can be aggressive and loud, here he achieves a similarly powerful effect, but where the restraint and slow pace give a great sense of drama, and the feel of an imminent volcanic burst in this brilliant composition.

"A Gentleman's Honor" (instrumental) is a reprise of the first composition, rearranged without the vocals. "Act III," with its swirling and recognizably dynamic synthesizer melodies, churning patterns, vocal tropes and pulsating rhythms, provides a grandiose, even bombastic finale to this play.

This wonderfully remastered 180 g, vinyl only release has a deep dark feel to it, and is a pure joy sound wise. At the start of the '80s, when he wrote this piece, along with a string of other brilliant releases like Glassworks (Sony Classical Recordings, 1982), Koyaanisqatsi (Orange Mountain Music, 1982) Ankhnaten (CBS Masterworks, 1987) Glass had already begun refining and expanding the style and vocabulary so characteristic for him, which culminated with his seminal opera Einstein on the Beach (Nonesuch, 1979). Glass' music is a specific branch of music minimalism that has almost always reflected the aggressive, edgy down-town music scene in New York. His music is not always an easy pill to swallow. Then again, some of the best music, like The Photographernever is.

Track Listing: ACT I: "A Gentleman's Honor" (vocal); ACT II; "A Gentleman's Honor" (instrumental); ACT III.

Personnel: Music by Philip Glass; The Philip Glass Ensemble; Michael Riesman: conductor; Paul Zukofsky: solo violin.

Year Released: 2014 | Record Label: Music On Vinyl | Style: Classical


More Articles

Read Tim Bowness: Lost in the Ghostlight Extended Analysis Tim Bowness: Lost in the Ghostlight
by John Kelman
Published: February 19, 2017
Read Way Down Inside: Songs of Willie Dixon Extended Analysis Way Down Inside: Songs of Willie Dixon
by Doug Collette
Published: February 18, 2017
Read Chicago II (Steven Wilson Remix) Extended Analysis Chicago II (Steven Wilson Remix)
by John Kelman
Published: February 12, 2017
Read The Rolling Stones: Blue and Lonesome Extended Analysis The Rolling Stones: Blue and Lonesome
by Nenad Georgievski
Published: November 27, 2016
Read Nat Birchall: Creation Extended Analysis Nat Birchall: Creation
by Phil Barnes
Published: November 23, 2016
Read "Michel Benita Ethics: River Silver" Extended Analysis Michel Benita Ethics: River Silver
by John Kelman
Published: February 22, 2016
Read "Neil Young & The Promise of The Real: Earth" Extended Analysis Neil Young & The Promise of The Real: Earth
by Doug Collette
Published: June 19, 2016
Read "Dick's Pick's Volume One: Tampa, Florida 12/19/73" Extended Analysis Dick's Pick's Volume One: Tampa, Florida 12/19/73
by Doug Collette
Published: May 22, 2016
Read "Jack Tempchin: One More Song" Extended Analysis Jack Tempchin: One More Song
by Doug Collette
Published: September 25, 2016
Read "The Rolling Stones: Blue and Lonesome" Extended Analysis The Rolling Stones: Blue and Lonesome
by Nenad Georgievski
Published: November 27, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!