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On Gordon Bok’s “Rosin The Beau”, the great cellist Hank Roberts performs vocal harmonies with his earthy and wooden toned Cello lines as guitarist Jim Yanda kicks the proceedings into an affable all acoustic jazz motif. This and other imaginative renditions of Stephen Foster’s “Oh Susannah”, “Beautiful Dreamer” along with American traditionals such as “She ’ll Be Coming Down The Mountain” and “Shenandoah” comprise some of the 13 pieces on drummer Phil Haynes ambitious and thoroughly refreshing new release titled, Phil Haynes & Free Country.
Phil Haynes is a well-known drummer who has performed with the creme de la creme of modern jazz stylists such as saxophonists Ellery Eskelin, Gebhard Ullmann and many others too numerous in scope to cite here. Along with fellow New York City Downtown/modern jazz musicians - bassist Drew Gress, cellist Hank Roberts and acoustic steel string guitarist Jim Yanda, “Free Country” fuses grassroots Americana with hip, upbeat arrangements that toggle jazz, bluegrass and country. Wonderfully recorded direct-to-stereo, sans amplification Haynes and his cohorts extend or in some situations parallel concepts actualized by guitarist Bill Frisell with his recent forays into Country & Western and Bluegrass.
Sterling resonance and soulful interplay witnessed on “Old Joe Clark” serves as a prime example of the striking sonic characteristics of this recording as Gress’ heavy and explicit bass lines in tandem with Haynes’ equally wooden toned drums emit a gorgeously radiant environment. Throughout, Haynes & Free Country breathe new life into American heritage and traditionalism with this joyous and to a greater extent, ingenious and immaculately executed outing. * * * * 1/2
Phil Haynes; Drums/Percussion: Hank Roberts; Cello, Vocals, Jazzphone Fiddle: Drew Gress; Acoustic Bass: Jim Yanda; Acoustic Steel Guitar.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.