338

Edmond Hall: Petite Fleur

Nic Jones By

Sign in to view read count
Edmond Hall: Petite Fleur This reissue raises issues about "the tradition"—whatever the hell that is. This music was slightly venerable when it was recorded back in 1959, but the sheer verve and aplomb with which the program is delivered makes questions about its place in the overall canon of jazz seem immaterial.

At the time of the recording, Edmond Hall had not long departed from the ranks of the Louis Armstrong All Stars, and outside the restricting routines that were a hallmark of that band, he takes the opportunity to show his mastery of the entire pre-bop jazz vocabulary. On the likes of his own "Cook Good" he's aided in this endeavour to no small degree by the underrated Ellis Larkins on piano, whose trenchant urbanity—there can be such a thing!—marks a nice contrast in solo terms to Hall's patented clarinet playing, the mark of which is deeply personal at the same time as it is a whole lot more than the display of empty virtuosity.

The same qualities apply to the trombone of Vic Dickenson, and he and trumpeter Emmett Berry both excel on the tracks on which their presence makes the band a sextet, not the least of these being the Duke Ellington medley, where all the horns plus Larkins get the chance to shine. The program overall has a nice balance about it, with standards mixed in with Hall originals, and while the standards are largely nothing if not well done a number of times over on record, in the hands of these guys something fresh seems to emerge from each of them.

Ultimately, indifferent playing time might be an issue for those who prefer to buy their music by the yard. For everyone else this is essentially music of a bygone age which still has a place in the early years of the 21st Century, especially when it's put out by musicians who knew their stuff inside out and had the vocabulary to express themselves eloquently.

Track Listing: Petite Fleur; Ellington Medley: Prelude To A Kiss, Do Nothing 'Til You Hear From Me; Solitude; Don't Get Around Much Anymore, Mood Indigo, Take The 'A' Train; Clarinet Marmalade; Edmond Hall Blues; Cook Good; Off The Road; Adam And Evie; Don't Give Me No Sympathy.

Personnel: Edmond Hall: clarinet; Ellis Larkins: piano; Milt Hinton: bass; Jimmie Crawford: drums. Plus Emmett Berry, trumpet; Vic Dickenson: trombone.

Year Released: 2005 | Record Label: Mighty Quinn Productions | Style: Straight-ahead/Mainstream


comments powered by Disqus

Shop

More Articles

Read This Is Beautiful Because We Are Beautiful People CD/LP/Track Review This Is Beautiful Because We Are Beautiful People
by Matthew Aquiline
Published: May 29, 2017
Read Nigerian Spirit CD/LP/Track Review Nigerian Spirit
by James Nadal
Published: May 29, 2017
Read The Colours Suite CD/LP/Track Review The Colours Suite
by Glenn Astarita
Published: May 29, 2017
Read Les Liasons Dangereuses 1960 CD/LP/Track Review Les Liasons Dangereuses 1960
by Mark Corroto
Published: May 29, 2017
Read Chapter Five CD/LP/Track Review Chapter Five
by Jack Bowers
Published: May 28, 2017
Read The Hive CD/LP/Track Review The Hive
by Edward Blanco
Published: May 28, 2017
Read "I Walk Amongst Humans" CD/LP/Track Review I Walk Amongst Humans
by Nicholas F. Mondello
Published: August 3, 2016
Read "Confirmation" CD/LP/Track Review Confirmation
by Nicola Negri
Published: September 5, 2016
Read "Been Up So Long It Looks Like Down to Me: The Micros Play the Blues" CD/LP/Track Review Been Up So Long It Looks Like Down to Me: The Micros Play...
by Karl Ackermann
Published: February 18, 2017
Read "Peace" CD/LP/Track Review Peace
by Budd Kopman
Published: December 18, 2016
Read "Unspoken" CD/LP/Track Review Unspoken
by Andrew Luhn
Published: October 9, 2016
Read "Presidential Suite (Eight Variations on Freedom)" CD/LP/Track Review Presidential Suite (Eight Variations on Freedom)
by Karl Ackermann
Published: August 25, 2016

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, hide slide-outs, and provide read access to our future articles.

Buy it!