124

Peter Nero/Philly POPS, with Ann Hampton Callaway, February 6, 2011

Lewis J Whittington By

Sign in to view read count
Peter Nero and the Philly POPS with Ann Hampton Callaway
Singin' & Swingin'
Kimmel Center Verizon Hall
Philadelphia
February 6, 2011

Peter Nero is so charming a bandleader for the Philly POPS that he could easily get away with phoning the music in, but with the pianist/conductor, that is never the case. The POPS' unique turf of symphonic jazz and big-band swing was on ample display at its Singin' & Swingin' concert, headlined by vocalist Ann Hampton Callaway.

Nero's high-profile conductor role overshadows his many talents as a jazz pianist, and POPS orchestras, in general, fight not to be viewed as musically lightweight, which was certainly not the case with this POPS, an orchestra in a distinct category of symphonic, big band jazz. Aside from many players, freelancing from the Philadelphia Orchestra (and other ubiquitous classical musicians), filling out the POPS, Nero had premiere players Michael Barnett on bass and George Mazzeo on drums, as well as a muscled horn section.

The orchestra kicked off with Duke Ellington's "It Don't Mean A Thing," with more of a Count Basie drive in the swing itself. Nero followed up, he noted, with Basie's own arrangement of "All of Me." He actually flubbed his piano solo with an ice cold intro, but more than made up for it later, particularly during his interludes in an Ellington medley, with a minuet-laced "Satin Doll"" and steel-key "Take the 'A' Train" finale. The POPS was particularly vibrant on fast-tempo treatments of "There's a Boat Leaving Soon for New York," from Porgy and Bess, and the big band chestnut, "Two O'Clock Jump."

To celebrate Valentine's Day, Nero essayed the adagio movement of Rachmaninoff's "Symphony No. 2" as the most romantic piece of music he knows. The POPS struggled with it, sloshing around in symphonic soup, except for crescendos, which were in full-string bloom. The surface beauty was enough, apparently, when Nero announced a reprise, without cringing, and the audience was all for it. Luckily, it was, in contrast, a vibrant jazz piano concerto with tight orchestral interlocks. Later, his very romantic arrangement of Irving Berlin's "Always" was cinematic in the best sense, avoiding a misty Mancini effect.

Callaway and Nero demonstrated a genuine rapport, and got some benign shtick in about sour love affairs. Callaway did a cloying impersonation of Billie Holiday, but was dead on as Sarah Vaughan. She was the basso belter on "Blues in the Night," her very stylized blues showpiece from the musical Swing!, and also sang "I Dreamed of You," a song she wrote for Barbra Streisand that was very well-suited to her voice.

Callaway's show diva mode was very entertaining, but sometimes threatened to eclipse her skill at subtle phrasing, especially on jazz standards. Her expressive voice was used inventively on an array of standards, from a samba version of "The Man I Love," with soprano scat riffs off Nero's interludes, to her soulful phrasing on "What Is This Thing Called Love?" The singer was the serene chanteuse on standards like "With a Song in My Heart," "Let's Fall in Love" and "Over the Rainbow."

A personal moment came when she dedicated a song to New York cabaret singer Mary Cleere Haran. It later became apparent just how sad that must have been for Callaway, because. Halan had died from wounds sustained from a bike accident in Florida that same day.

Shop

More Articles

Read Panama Jazz Festival 2017 Live Reviews Panama Jazz Festival 2017
by Mark Holston
Published: February 21, 2017
Read Foundation of Funk at Cervantes Masterpiece Ballroom Live Reviews Foundation of Funk at Cervantes Masterpiece Ballroom
by Geoff Anderson
Published: February 20, 2017
Read The Cookers at Nighttown Live Reviews The Cookers at Nighttown
by C. Andrew Hovan
Published: February 16, 2017
Read Monty Alexander Trio at Longwood Gardens Live Reviews Monty Alexander Trio at Longwood Gardens
by Geno Thackara
Published: February 15, 2017
Read "Monterey Jazz Festival 2016" Live Reviews Monterey Jazz Festival 2016
by Josef Woodard
Published: September 26, 2016
Read "George Benson at Denver Botanic Gardens" Live Reviews George Benson at Denver Botanic Gardens
by Geoff Anderson
Published: September 21, 2016
Read "Sari Kessler: Live At The Kitano" Live Reviews Sari Kessler: Live At The Kitano
by Tyran Grillo
Published: May 10, 2016
Read "Steven Wilson at Theatre St-Denis" Live Reviews Steven Wilson at Theatre St-Denis
by John Kelman
Published: March 12, 2016
Read "The Billy Hart Quartet at the 21c Museum Hotel" Live Reviews The Billy Hart Quartet at the 21c Museum Hotel
by Joseph Boselovic
Published: September 28, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!