Learn How

Help improve All About Jazz

Support All About Jazz All About Jazz needs your help and we have a deal. For $20, we'll hide those pesky Google ads and present exclusive content for a full year!

238

Peter Murphy Live at The Highline Ballroom, New York City; April 2, 2011

Peter Murphy Live at The Highline Ballroom, New York City; April 2, 2011
Mike Perciaccante By

Sign in to view read count
Peter Murphy
The Highline Ballroom
New York, New York
April 2, 2011

Over the past three decades, Peter Murphy has gained a loyal fan through both his solo work and as the former front man for Bauhaus. His recorded output as well has his live performances have garnered him the oh-so-dark moniker, "Godfather of Goth."

Prior to his April 2, 2011 Highline Ballroom performance, All About Jazz was able to sit down with Murphy to discuss his career and the Spring Tour. Relaxing in his dressing room pre-show, Murphy was all long legs, sinewy frame and intense blue eyes. He perched on one end of the sofa, arm casually thrown over the back of the couch, and leaning forward to make his points, speaking animatedly.

Murphy explained that touring is essential to all aspects of being an artist. "It's where I live actually," Murphy reflected of his time on the road to support the June 2011 CD release, Ninth (Nettwerk), this time, touching down for one night at the Highline Ballroom in New York City, with opening acts Livan and Jessie Mayer. "I'm not just a road animal, but I count my live performances as important as actually making music. It's such a great opportunity to connect also with an actual physical, tangible audience. And you do, in fact, meet the audience in that sense. They're crucial for the show to take place, of course. So there's an exchange going on. There definitely is a strong performance element to what I do. Sometimes I'll stylize it more than others and on this one, this particular tour, I'm relying on just myself with the band, with no acrobatics, no sort of over-special moments, but making it about me and the band and a voice."

During his Highline Ballroom performance, Murphy treated the faithful to an eclectic sampling of his canon. The show could best be likened to a jukebox of his discography. "Low Room," an old favorite, energized the crowd. Appearing appropriately dressed in black jeans, a black hoodie and a few strands of shiny silver Mardi Gras beads, Murphy interacted with the crowd, as they stood pressed into the stage, many deep. As the show progressed, he brushed off classics and delivered them with such energy that even the older songs felt fresh. Among the evening's highpoints were the solo offerings, "Subway," "Cuts You Up," "Marlene Dietrich's Favourite Poem" and "Huvola," a song written for his two kids. Another standout performance was the hauntingly romantic version of "I'll Fall With Your Knife."

Murphy, who does not tour often, would not play Bauhaus songs during his earlier solo tours. When asked why, Murphy said, "I would not play Bauhaus in my previous '80s and '90s solo tours, simply because I wanted to keep the integrity intact, but now I'm playing it free-form, because my audience wants to hear it and I really want to play it. They're my songs. It's okay," reiterated Murphy. "There's no problem about that now. Now I know that it's definitely not appropriate that we play together again. Because that was their choice, not mine initially." Bauhaus reunited twice but the final breakup of the band came at the end of creating Go Away White (Cooking Vinyl, 2008), and that the split caused the band to not tour in support of that project.

Intermingled with his solo offerings, Murphy strutted his way through some of Bauhaus' most beloved songs—"Burning From the Inside" and "Silent Hedges." The audience was left speechless and entranced by a pulsing mash-up of both solo work and Bauhaus fare. "A Strange Kind of Love" was coupled with and segued into what is perhaps the band and Murphy's most well-known song, "Bela Lugosi's Dead." Additionally, Murphy carefully selected two covers which displayed his creative prowess. Nine Inch Nail's "Hurt" sounded as if he had written it himself, while Iggy & The Stooges' "Raw Power" was exactly that: raw and powerful.

New material was showcased as well. Seamlessly weaved among his older songs and three outfit shifts, the former Maxell cassette ad model introduced the throbbing "Memory Go," the striking "Peace to Each," and the infectious "The Prince and Old Lady Shade," as well as the extremely powerful "Velocity Bird."

Radiating happiness and exuding an energy that belied his 53 years, Murphy's performance was akin to watching a joyous child on a playground on a summer's day. He twirled, posed and constantly engaged the audience. He was never still and his confidence and charisma were unfaltering. It is impossible to believe he has never been less than completely himself on stage, but early on, fear factored in to his work on stage, at least in his own head.

Related Video

Shop

More Articles

Read Bobby Hutcherson tribute at SFJAZZ Center Live Reviews Bobby Hutcherson tribute at SFJAZZ Center
by David Becker
Published: January 24, 2017
Read ECM Showcase at NYC Winter Jazzfest 2017 Live Reviews ECM Showcase at NYC Winter Jazzfest 2017
by Tyran Grillo
Published: January 22, 2017
Read An Evening with Pat Metheny at The Barre Opera House Live Reviews An Evening with Pat Metheny at The Barre Opera House
by Doug Collette
Published: January 20, 2017
Read Houston Person at Kiawah Island, South Carolina Live Reviews Houston Person at Kiawah Island, South Carolina
by Rob Rosenblum
Published: January 10, 2017
Read Buenos Aires Jazz Festival 2016 Live Reviews Buenos Aires Jazz Festival 2016
by Mark Holston
Published: January 9, 2017
Read "ECM @ Winter Jazzfest 2016" Live Reviews ECM @ Winter Jazzfest 2016
by Tyran Grillo
Published: January 25, 2016
Read "Monterey Jazz Festival 2016" Live Reviews Monterey Jazz Festival 2016
by Josef Woodard
Published: September 26, 2016
Read "Howard Riley and Keith Tippett at Pizza Express" Live Reviews Howard Riley and Keith Tippett at Pizza Express
by Duncan Heining
Published: March 25, 2016
Read "Andy Milne and Dapp Theory at SOUTH Jazz Kitchen" Live Reviews Andy Milne and Dapp Theory at SOUTH Jazz Kitchen
by Mike Jacobs
Published: May 19, 2016

Post a comment

comments powered by Disqus

Get Jazz Near You via email!

Enjoy the convenience of receiving a comprehensive listing of jazz events in your area every Thursday. It's free!