Just about anyone who has followed jazz and jazz-fusion should be familiar with drummer Dave Weckl’s enviable talents. The artist came to prominence back in the '80s, performing with pianist Chick Corea’s electric (fusion) and acoustic (mainstream jazz) bands. Since then, Weckl has issued several solo outings amid guest spots with various ensembles. He’s released instructional videos/DVDs for aspiring drummers out there who need to know either the mechanics behind his technical faculties or to simply pick up a few tips. However, most of Weckl’s solo efforts skirt the boundaries of contemporary, radio-friendly jazz in concert with in-the-pocket grooves, spanning Latin, funk and fusion. With his latest, the drummer steers his quartet thru more of the same. But many of these works feature strong soloing endeavors by saxophonist Brandon Fields and keyboardist Steve Weingart.
The quartet benefits from a revved up horn section on selected tracks. The drummer institutes polyrhythmic beats that primarily serve as a launching pad for his associates' funkified choruses and shimmering solo spots. In addition, many of these numbers feature memorable hooks amid a few odd-metered time signatures and upbeat, acoustic/electric based frameworks. Weckl’s fifth recording for Stretch Records is a thoroughly happening engagement. No doubt, the drummer is a groove merchant extraordinaire. (Recommended)
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!