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Enrico Pieranunzi/Marc Johnson/Paul Motian Untold Story Egea 2007
Joe Lovano/Bill Frisell/Paul Motian Time & Time Again ECM 2007
Having circumnavigated the sun for over three-quarters of a century now, drummer Paul Motian shows no signs of altering his orbital momentum; two meetings with old friends demonstrate his freshness and vitalityhis eternal youth.
Untold Story, a recently exhumed recording from 1993, is a trio outing with Italian pianist Enrico Pieranunzi and bassist Marc Johnson. The session documents Pieranunzi as an emerging voice, arising from and through the twin pillars of Bill Evans and McCoy Tyner, embracing and embellishing these influences to create something of his own. Motian is ever the understatesman, though his style in this period seems denser, less implied. Johnson is in fine fettle: his stuttered licks on the opening cut continually climb without truly ascending, like M.C. Escher's perpetual-motion staircase illusion, and his shout-outs on "Improlude are heeded by centripetal piano figures. From the hesitant authority of "Chantango (with a catchy 3+3+3+2+2 beat structure) to the swinging combustion of Motian's "Abacus, to the standout "Mode VI , with its sidewinding harmonies and easy swing, Pieranunzi and company deliver a well-balanced palette of three-way jazz transactivity.
Time and Time Again is the latest from Motian's ongoing collaboration with tenor saxophonist Joe Lovano and guitarist Bill Frisell, one of the most consistently satisfying groups in improvisative music. Largely a collection of the drummer's compositionsvignettes of Americana diffracted through the lens of counterculture sensibilitiesthe set also includes Lovano's angular "Party Line (an apt metaphor for these trio-ly conversations) and two unusual gems: Monk's "Light Blue plus Rodgers & Hammerstein's "This Nearly Was Mine .
Most of the tracks get right to the point: rather than stretching out, the group stretches 'in', creating infinite space and variation in the small cracks and crevices of the musical veneer. Motian's timekeeping seems to be everywhere and nowhere at once, not so much deconstructing the beat as displacing it in disparate voicings across his drumkit. Frisell's guitarisms, rooted in the fingerings and fretboard patterns germane to the instrument, sound otherworldly in the hands of this master; and Lovano, the consummate craftsman, plies his trademark 'quiet fire'. It is a great satisfaction to listen in on these three as they go about their pleasures.
Tracks & Personnel
Tracks: Chantango; Abacus; Episode; For Your Peace; September Waltz; Mode VI; Improlude; Dream Book; Django.
Personnel: Enrico Pieranunzi: piano; Marc Johnson: bass; Paul Motian: drums.
Time & Time Again
Tracks: Cambodia; Wednesday; Onetwo; Whirlpool; In Remembrance of Things Past; K.T.; This Nearly Was Mine; Party Line; Light Blue; Time & Time Again.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.