36

Eddie Gomez: Per Sempre

Dan Bilawsky By

Sign in to view read count
Eddie Gomez: Per Sempre
Bassist Eddie Gomez has never received the attention he deserves as a leader. While that's largely due to the fact that he spends so much time making other people sound better, the reason isn't important; it's an injustice, regardless of the cause. His pliant and flexible bass has been the binding agent and rhythmic-melodic-harmonic go-between responsible for bolstering the work of pianists like Bill Evans, Chick Corea and Hank Jones, drummers like Jack DeJohnette and Steve Gadd, and countless others on every instrument imaginable, but he's also put out his fair share of leader dates that highlight his artistry in more direct fashion.

Gomez has been in the spotlight for well over four decades now, but rarely for his own records; thankfully that seems to be changing. Gomez and pianist Carlos Franzetti scored a Latin Grammy for their Duets (Acqua, 2008), and now, with the release of Per Sempre, Gomez should be getting his due. This eight track program was recorded while Gomez was touring in Italy in the winter of 2009, and the warm sounds on display run counter to the season of the session.

The combination of Matt Marvuglio's flute and Marco Pignataro's saxophone is responsible for the glowing quality in the melodic design of this work, but the rhythm section is responsible for molding the shape of each piece. Gomez, pianist Teo Ciavarella and drummer Massimo Manzi make the music expand and contract in Evans-esque fashion, as they draw concentric circles around one another that come into singular focus or spread out as needed. Nothing simply arrives; it evolves in turns.

Gomez-as-melodist is a sound to behold. His arco work is elegant, yet mournful, and his pizzicato work stretches the very fabric of sound. While his soloing-with-vocalizing—à la Keith Jarrett—may not be everybody's cup of tea, it serves as a window into his well-focused mind's eye.

A consistent vibe is felt throughout the majority of the album, but each song contains different treasures. "Arianna" is notable for the leader's soloing, "Why Cry?" contains a joyously flighty flute spot, "Forever" features some suave, out-front tenor work from Pignataro and "Homesick" is a stylistic detour, with Spanish seasonings and Argentine allusions. Per Sempre is a pure expression of organic musical dialogue that may go a long way in helping to put Gomez on a pedestal...and he deserves nothing less.

Track Listing

Arianna; Bologna D'Inverno; Why Cry?; Forever; Pops & Alma; Stella By Starlight; Homesick; Epilogue.

Personnel

Eddie Gomez: bass; Marco Pignataro: tenor saxophone, soprano saxophone; Matt Marvuglio: flute; Teo Ciavarella: piano; Massimo Manzi: drums.

Album information

Title: Per Sempre | Year Released: 2012 | Record Label: BFM Jazz

Post a comment about this album

Tags

Shop Amazon

More

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.