Home » Jazz Articles » Penguin Cafe: Snape, UK, August 12, 2011


Live Review

Penguin Cafe: Snape, UK, August 12, 2011

Penguin Cafe: Snape, UK, August 12, 2011

Sign in to view read count
Penguin Café
Snape Maltings
Snape, UK
August 12, 2011

Penguin Café occupies a unique place in the universe: a comforting and welcoming place where English eccentricity mingles happily with musics from the four corners of the Earth...and one or two other places, too. When the 10-piece group performed at Snape Maltings, with its own slightly eccentric setting in the Suffolk countryside, the illusion was heightened and the resulting atmosphere readily transported the audience to an unreal but rather desirable musical world.

Penguin Café's leader is Arthur Jeffes, the son of composer and musician Simon Jeffes. Simon formed the Penguin Café Orchestra in the '70s and led the group until the mid-'90s (he died in '97). His son formed Penguin Café in 2009, with a completely fresh lineup of musicians, and the band now performs many of the Penguin Café Orchestra's numbers as well as an increasing number of Arthur's own compositions.

Penguin Café took the stage to appreciative applause from a packed house. The musicians were dressed, for the most part, in the sort of casual attire that would be ideal for an Edwardian country picnic—violinist Darren Berry's natty white ensemble gave him the look of a rakish village Squire. With the exception of an electric guitar, the Penguin Café's instrumentation was acoustic: assorted percussion, harmonium, piano, whistles, viola, cello and ukulele, among others, with most of the band members moving happily between instruments over the course of the night. Combining this varied instrumental lineup with the distinctive compositional styles of Simon and Arthur Jeffes, Penguin Café created an instantly recognizable sound.

The performance started with "Dirt," a tune with a strong Americana feel thanks to Arthur's electric guitar part. "Swing The Cat," rooted in Irish folk, was the most up-tempo of the night's tunes, although it never quite managed to gain the momentum that its early stages promised. Arthur's own compositions, taken from the self-produced Penguin Café debut, A Matter Of Life (2011), were impressive. Arthur played the gentle solo piano piece, "Harry Piers," a tribute to Simon, as the first encore. "From A Blue Temple"—based, Arthur explained, on the Fibonacci Sequence—was intriguing, while the melancholy "That, Not That" and the gently insistent "Landau" were both beautiful.

It was the Penguin Café Orchestra's best-known tunes that received the warmest responses of the night. "Music For A Found Harmonium" (which Simon composed on a harmonium he found in the streets of Kyoto, Japan), "Perpetuum Mobile" and "Telephone and Rubber Band" are old friends, tunes that seem part of an ancient English musical tradition even though none are more than 40 years old. "Telephone and Rubber Band" featured the most obvious use of contemporary technology, when Arthur used his mobile phone to play a sample of the original analog telephone ring tones that formed the tune's rhythmic foundation.

Forty years after Simon Jeffes established the Penguin Café Orchestra, the music still sounds original and strange. Arthur's decision to form Penguin Café, and to extend the repertoire, is to be welcomed. This was a great concert—a talented band, playing genuinely original music with enthusiasm and warmth.

Photo Credit
Courtesy of Penguin Café

Post a comment

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.




Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.