All About Jazz

Home » Articles » Interviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

1

Paul Kelly: Life is Fine...Really!

Paul Kelly: Life is Fine...Really!
Doug Collette By

Sign in to view read count
Paul Kelly has the soul of a poet, the heart of a rock and roller and the psyche of a renaissance man. How else to explain his last few records leading up to Life is Fine? There's The Merri Soul Sessions, an r&b tribute within which he was more conductor than featured performer. Goin' Your Way is the document of his live collaboration with Split Enz/Crowded House principle Neil Finn, where the two sound like no one so much as a latter-day John Lennon and Paul McCartney. Seven Sonnets and a Song finds Kelly setting to music the words of Shakespeare. And then there's Death's Dateless Night, a collection of songs performed at funerals, proffered as a duo with Charlie Owen.

In his conversation with Doug Collette, this national treasure of Australia covered a lot of ground too. But as with the aforementioned projects, he did so with as much healthy detachment as purpose and commitment. Whether speaking of his fruitful relationship with his record company, his opinionated bandmates or his own processes for songwriting—including taking a year off in 2014 to take piano lessons from a jazz player in order to open up new composing ideas—Paul Kelly offered well-considered perspectives congruent with the topic(s) at hand.

Which might also sum up the scrupulous eye for detail in Kelly's compositions. He can capture those significant moments in human relationships that define life. And his ear for nuance in recording ratifies Paul as a refined musician: he knows full well that the playing of the tune brings more fully to life that creative expression he humbly admits has a life of its very own. With an undercurrent of self-deprecating humor and an abundance of grace, Paul Kelly elucidates the ineffable so clearly because he knows there's only so much words can say. In its own way, that hard-earned wisdom was on display in this interview as fully as in the arrangements and production of his supremely well-crafted albums.

All About Jazz: I wanted to clarify some thoughts I had about your new album Life Is Fine, but first I wanted to how long it's been since you did an extended tour of America like the one set up from September to October this year? Seems like it's been a while...

Paul Kelly: A tour of that length has been awhile. I've toured pretty regularly, every couple of years, but usually it's been as a duo with my nephew Dan Kelly and the stints have been around three of four weeks. This is the first time with the whole band doing an extensive tour since 1998, so you're quite right it's been awhile: it's the seven- piece band the one that made the record, plus Vika and Linda who sang on the record, and we're all getting on the big bus, again like we haven't done since 1998. I'm sure it'll be cozy, but I know it'll be fun!

AAJ: Correct me if I'm wrong on this point too, but I don't recall so much publicity and promotion devoted to one of your records in recent memory?

PK: Well, this record is more widely accessible than some of my recent ones. I had two out last year: one is Shakespeare sonnets put to music, another is a collections of songs I've sung at funerals-an acoustic record I made with my friend Charlie Owen. And the record before that was a type of revue style record called The Merry Soul Sessions, with the band that's on this record but with six different singers including myself. Again not an easy record to tour behind, because I couldn't get all the personnel at the same time. You're right, they're all a bit off the beaten track, but this one's getting people to sit up and take notice and in the States getting radio play. It's not me putting any extra special effort into them: past a certain point it's out of your hands because once the songs come out, you don't know what they're going to do!

AAJ: You are right. They do have a life of their own. Is Life Is Fine a collection of songs you sat down to right for a new record or is it a collection written over a period of time which you saw come together as such?

PK: It's a bit of both. I'm not one of those who sets out to write a record, like writing for a year or two, then making an album that sums up that period of my writing. I write in a much more haphazard fashion: songs come to me at all angles, quite randomly, so I tend to write them as they come, then sort them like socks in a drawer; after a while, you get half a dozen or so that happen to work together, that talk to each other, and when that critical mass occurs, then I write more to go along with those. I did have a long-range plan with Life Is Fine: I was aware I'd done all these records going off in all these different directions over the last five years and I was joking with the record company; they've been great by the way they handle everything I'd throw at them, but they did say to me "When are you going to make a normal record? (laughs) and I said, "Don't worry, I've got a normal record coming and it's as normal as I'm going to get!" And I knew after last year, those two records being meditative and philosophical, that I wanted to come out with something noisy, upbeat, fun, joyous record. I was thinking that even as I did those records, for the sake of contrast.

Tags

Related Video

comments powered by Disqus

Interviews
CD/LP/Track Review
Read more articles
Life Is Fine

Life Is Fine

Universal Music Australia
2017

buy
Goin' Your Way

Goin' Your Way

Omnivore Recordings
2016

buy

Related Articles

Read Linley Hamilton: Strings Attached Interviews
Linley Hamilton: Strings Attached
by Ian Patterson
Published: April 17, 2018
Read Camille Bertault: Unity in Diversity Interviews
Camille Bertault: Unity in Diversity
by Ludovico Granvassu
Published: April 10, 2018
Read Chad Taylor: Myths and Music Education Interviews
Chad Taylor: Myths and Music Education
by Jakob Baekgaard
Published: April 9, 2018
Read Fabian Almazan Interviews
Fabian Almazan
by Angelo Leonardi
Published: March 30, 2018
Read Ryuichi Sakamoto: Naturally Born to Seek Diversity Interviews
Ryuichi Sakamoto: Naturally Born to Seek Diversity
by Nenad Georgievski
Published: March 27, 2018
Read Leonardo Pavkovic: Nothing is Ordinary Interviews
Leonardo Pavkovic: Nothing is Ordinary
by Chris M. Slawecki
Published: March 16, 2018
Read "Julian Priester: Reflections in Positivity" Interviews Julian Priester: Reflections in Positivity
by Paul Rauch
Published: December 8, 2017
Read "Pat Metheny: Driving Forces" Interviews Pat Metheny: Driving Forces
by Ian Patterson
Published: November 10, 2017
Read "Yacine Boularès: Coltrane by way of Descartes" Interviews Yacine Boularès: Coltrane by way of Descartes
by Ludovico Granvassu
Published: January 26, 2018
Read "Rufus Reid: Composer, Educator, Bassist, Gait Keeper… And Prophet" Interviews Rufus Reid: Composer, Educator, Bassist, Gait...
by David Hadley Ray
Published: October 12, 2017
Read "Eri Yamamoto: The Poet’s Touch" Interviews Eri Yamamoto: The Poet’s Touch
by Jakob Baekgaard
Published: May 20, 2017