Putting Origin on the shelf for a moment, Chick Corea sets about getting intimate with the band's rhythm section on this invigorating trio release. Corea also takes this opportunity to premiere 10 entirely new compositions as well as a lively reading of Fats Waller's "Jitterbug Waltz." Together with the phenomenal Avishai Cohen on bass and Jeff Ballard on drums, Corea continues with the kind forward-thinking acoustic jazz that has made Origin so appealing over the last several years. The opening minor blues, "Fingerprints," strongly recalls his first classic trio with Miroslav Vitous and Roy Haynes. "Rhumba Flamenco," "Anna's Tango," and the closing "Life Line" are typical of the Spanish-tinged lexicon he's been developing since early on, but most recently with Origin and Gary Burton.
If anything, Corea's new music is more heavily composed than usual. Its involved, tightly executed passages evoke a sort of chamber-jazz feel that brackets relatively short episodes of fiery, free-flowing improvisation. But "The Chelsea Shuffle" and "Cloud Candy" open up a bit more, while "Nostalgia" changes the pace with its mellow, semi-classical feel.
Like Pat Metheny, who recently formed a trio with Larry Grenadier and Bill Stewart, Corea recognizes the importance of forming deep associations with the new generation of jazz greats. Of course, Avishai Cohen and Jeff Ballard gain enormous prestige through their work with Chick. But Chick also keeps himself fresh and on his toes by working with these younger stalwarts.
Track Listing: 1. Fingerprints 2. Jitterbug Waltz 3. Cloud Candy 4. Dignity 5. Rhumba Flamenco 6. Anna's Tango 7. The Chelsea Shuffle 8. Nostalgia 9. The Revolving Door 10. Past, Present & Futures 11. Life Line
I was first exposed to jazz while working overseas in Africa as a Peace Corps Volunteer. I would listen to the Voice of America on the radio and they had a nightly jazz program on at 10:00pm. I learned a lot about jazz listening to this program. I also had a friend who listened to real jazz by artists like Charles Mingus, Eric Dolphy and Archie Shepp. On my way home from Africa I landed in New York and had the opportunity to see the George Adams/Don Pullen quartet at the Village Vanguard as well as Kenny Barron and Ron Carter at another club, and was in heaven.