Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Kevin Quinn: Paramedic

Geannine Reid By

Sign in to view read count
Kevin Quinn may not be a name you are familiar with on the jazz scene yet, but behind the scenes his work as a sound engineer at the ShapeShifter Lab in Brooklyn, NY, has afforded him the opportunity to work with top jazz musicians such as: Aaron Parks, David Savitsky, Rachel Therrien, Dean Sharp, Sean Wayland, Andrew Atkinson, Mark Ferber, Ira Coleman, and more. Born and raised in New York, Quinn began his musical studies on guitar when he was eighteen years old. While attending the State University of New York at New Paltz, Quinn's interest in jazz sparked. He pursued a bachelor's degree in jazz studies under the tutelage of Mark Dziuba, Vinnie Martucci, John Menegon, and Jeff Siegel. His debut album Paramedic is in part inspired by real life people around him. "Paramedic" was written for his father, "Final Fantasy" for his brother and "Morgan's Nocturne" for his girlfriend.

"Final Fantasy," the opening track on Paramedic, offers a buoyant waltz feel laid down by Siegel on drums and Coleman on bass with the ensemble kicking off a placid musical adventure. The melody has an interesting flow through a nice set of changes. This is a Quinn original; his compositional style is straight forward in its conception. Write a memorable melody, orchestrate with interesting colors and let the band loose to solo. This superlative approach works well, especially with this group. Savitsky solos first, his style is melodic, and his tone is brimming with modern jazz vocabulary, built from the bop and post-bop eras. Quinn's solo is constructed in a series of rhythmic motifs that he nimbly moves around the guitar neck. Quinn has nice mix of blues, jazz and a touch of rock in his vocabulary, which fits nicely after Savitsky's solo. Dziuba's solo presents a guitar tone that is slightly darker than Quinn's and it sounds like a semi-hollow guitar body. His solo is rhythmically motif driven, with much more activity in the scalar department. Together, the two guitarists make a great team, and both speak a fluid jazz vocabulary. Siegel's interaction with the soloist is also of note here. This ensemble is very comfortable with each other and the interaction is a joy to listen, which adds energy to the music.

"Telly Savalas" is an interesting compositional contribution from Dziuba. With a melody that traverses feel changes, the band hits and interesting counterpoint. The solo section gives the listener a chance to hear the medium swing of Siegel and Coleman, and they swing hard! Coleman sets the pulse, while Siegel dances between the pulse and interacting with the soloist. Quinn takes the first ride; his lines are harmonically rich, and his building of energy is thoughtful. His recurring use of colorful chord voicings from which he lunges into his next scalar phrase adds interest. Quinn pushes and pulls the beat, but still defines it. Siegel's cross rhythms during Dziuba's solo is very rich, and together Dziuba and Siegel develop a very satisfying musical statement. Dziuba has lots of 'Schoism' in his solo. Savitsky drives this swinger home. An ostinato provides a musical backdrop for Siegel to solo against for the ending. Overall, a fun tune with passionate playing by all.

Paramedic introduces an emerging guitarist with something to say. His compositions are thoughtful, and his playing is focused. Joined by a stellar cast, the ensemble cranks out a succinct program of memorable performances.

Track Listing: Final Fantasy; Your Changes; Telly Savalas; Morgan's Nocturne; Martian Sausage; Paramedic.

Personnel: Kevin Quinn: guitar; Mark Dziuba: guitar; Dave Savitsky: alto sax; Ira Coleman: bass; Jeff "Siege" Siegel: drums.

Title: Paramedic | Year Released: 2018 | Record Label: Self Produced


comments powered by Disqus


Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Paint The Sky Album Reviews
Paint The Sky
By Andrew J. Sammut
February 21, 2019
Read God Is More Than Love Can Ever Be Album Reviews
God Is More Than Love Can Ever Be
By Karl Ackermann
February 21, 2019
Read Rhyme And Reason Album Reviews
Rhyme And Reason
By Mark Corroto
February 21, 2019
Read The Definition of Insanity Album Reviews
The Definition of Insanity
By Nicholas F. Mondello
February 21, 2019
Read Omhu Album Reviews
By Jakob Baekgaard
February 21, 2019
Read In Between the Tumbling a Stillness Album Reviews
In Between the Tumbling a Stillness
By Karl Ackermann
February 20, 2019
Read Gary Album Reviews
By Dan McClenaghan
February 20, 2019