Pago Libre is one of the finest bands in the biz. This is a reissue of their original 1995 recording for the Germany-based "Bellaphon" label. Essentially, little or nothing is out of this band’s overall scope of capabilities. They commence the festivities with a toe-tapping groove, via bassist Daniele Patumi’s expressive walking bass lines during the opener “Rochade.” Moreover, the quartet systematically integrates subtle variations of the primary theme in concert with unassuming accents and contrasting tonal characteristics.
French hornist Arkady Shilkloper and violinist Tscho Theissing weave chamber-like passages with heated modern jazz flurries throughout. When the soloists, including pianist John Wolf Brennan coalesce - they often present a scenario that might propose notions of a larger unit at work. They explore contrapuntal statements amid symphonic overtures and luminous melodies. But are equally adept at rendering free-form modern jazz type improvisations to coincide with intermittent shifts in strategy. Nonetheless, the artists meld abstract colorizations atop symmetrically devised rhythmic structures. The ensemble also incorporates ethereal treatments and unorthodox voicings into the grand scheme of things. (Among the very best reissues of 2002!) Ardently recommended.
I love jazz because it expresses things so deep that I can't transform in words.
I met John Pizzarelli.
The best show I ever attended was MASP in São Paulo Brazil.
The first jazz record I bought was a Baby Dodds CD.
My heroes on drums: Papa Jo Jones, Sid Catlett, Gene Krupa, Baby Dodds, Zutty Singleton, Ray Bauduc, Vernell Fournier,
Shelly Manne, Jimmy Cobb, Joe Morello, Daniel Humair, Kenny Clarke, Sonny Carr, Buddy Rich, Sam Woodyard, Cozy Cole,
Sonny Greer, Neil Peart, Carl Palmer, Tony Sbarbaro, Vic Berton, Edison Machado, Milton Banana, Rubens Barsotti.
My heroes in jazz: Duke Ellington, Count Basie, Chet Baker, Miles Davis, Ahmad Jamal, Coleman Hawkins, Teddy Wilson,
Barney Kessel, Lester Young, Johnny Hodges, Jelly Roll Morton.