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Saxophonist and composer Phillip Johnston has always been a step (or two) out of synch with trends in modern music. And that is a good thing. His eclectic '80s band Microscopic Septet was never given its due. Now, twenty years later, with the reissue of its Seven Men in Neckties: History of the Micros, Vol. 1 (Cuneiform, 2006) and Surrealistic Swing: History of the Micros, Vol. 2 (Cuneiform, 2006), and its new recording Lobster Leaps In (Cuneiform, 2008) the group is garnering much deserved praise. Likewise, this score for a silent film made in 1998 is finally seeing the light of day. And that too is a good thing.
Johnston has a knack for film scores, having released the now out of print discs The Merry Frolics of Satan: The Georges Melies Project (Koch 1999) with The Transparent Quartet, and The Unknown (Avant, 1994) with the band Big Trouble, plus a collection of scores with Music for Films (Tzadik, 1998). He can also be heard on Needless Kiss (Koch 1998) and more recently in Fast 'N' Bulbous, a Captain Beefheart tribute band.
Like his prior film work, he chose The Transparent Quartet for this commissioned project. The film is a Japanese silent film from 1926 entitled Kurutta Ippeiji (A Page of Madness) by director Teinosuke Kinugasa. And while there are no DVD prints available, like many of these soundtrack projects, the music tells its own story.
Clocking in at nearly 80 minutes, the score bears little swing or jazz feel except for the instrumentation and written improvisational passages. Johnston and bassist Dave Hofstra anchor this session with pianist/saxophonist Joe Ruddick and vibraphonist Mark Josefsberg often soloing. Each player is also given room to improvise, but limitations of the film are maintained, meaning they are on the clockrequired to fit their improvised parts within the story and also within the composed parts.
Of course all of this is of no particular importance without the film. The music stands alone as an engaging and absorbing piece of chamber jazz composition/improvisation by a highly skilled band.
Track Listing: Prelude; The Dancer; The Mad Wife; The Visit; The Asylum; Parting the Waters; There's a Riot
Goin' On; Home Life; Home Life Ruined; Escape Attempt; The Dream; The Masks; At Peace
With a Mop.
Personnel: Phillip Johnston: soprano saxophone, alto saxophone; Joe Ruddick: piano, baritone
saxophone; Mark Josefsberg: vibraphone; David Hofstra: bass.
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.