16

Oz Noy: The Twisted Wizardry Of Oz

Oz Noy: The Twisted Wizardry Of Oz
Ian Patterson By

Sign in to view read count
I try not to diversify too much because I like the sound of a band and that means you have to play with the same guys for a while. —Oz Noy
Any blues played by Oz Noy would have to be a little twisted. Drawing on influences ranging from the classic jazz guitarists of yesteryear to the trailblazers of more recent vintage, Noy's instantly recognizable voice is also heavily influenced by blues and heavy metal guitarists.

Two and a half years have passed since Twisted Blues Volume One (Abstract Logix, 2011), Noy's electrifying, knotty and visceral take on the blues featuring an all-star cast of the guitarist's regular collaborators. The format is pretty much the same on Twisted Blues Volume 2 (Abstract Logix, 2014), with old sparring partners joined by guests of the caliber of Chick Corea and harmonica ace Gregoire Maret.

The sparks still fly on Volume 2 but the title could just as easily have been Twisted Jazz, Twisted Rock or Twisted Funk. It's all there in Noy's intoxicating mix. "I feel like it's all one thing," says Noy. "These last two records, at least from the writing perspective were coming from the blues form but what I do is more jazz."

No blues festivals have come knocking on Noy's door since Volume 1 earned such positive reviews in 2011 but Noy just laughs it off: "It doesn't really surprise me because a lot of the blues festivals are really narrow. They're very blues and what I do I consider to be jazz. The last two records have just been bluseier than what I've done so far but it's not your typical blues."

The title of these two CDs hints at one of the principal guiding hands at work: "The first tune on Twisted Blues Vol 1 was written over "Twisted Blues" by Wes Montgomery," explains Noy. "The chords are kind of similar." Noy is quick to acknowledge Montgomery as a formative influence in his playing: "Oh yeah, big time. I used to be a Wes Montgomery clone when I was growing up."

If Montgomery's chordal progressions and sophisticated harmonics are somehow embedded in Noy's DNA, so too are the voices of the modern masters. On several tracks on both Twisted Blues Volume 1 and Twisted Blues Volume 2 John Scofield's searing brand of jazz-funk rears its head.

"Of course," says Noy. "I like all those guys like Scofield and Pat Metheny, Bill Frisell, Mike Stern and John Abercrombie—all those guys who opened up the jazz guitar. I love Jim Hall—he's an influence on me too, but they basically took what Jim did, what jazz guitar was then and they opened it up, taking the sound and improvisation to a whole new level."

Twisted Blues Volume 1 featured eleven outstanding musicians, including Noy regulars Anton Fig and Will Lee. In fact, with the exception of Vinnie Colaiuta, all the musicians who turned out first time are there again on Twisted Blues Volume 2. And then some; the cast has risen to seventeen, with no two tracks featuring the same line-up.

Noy is no stranger to diversity. One look at his CV reveals a musician who is nothing if not open-minded. Since moving to New York from his native Israel in 1996 Noy has played with popsters Cyndi Lauper and Nelly Furtado, alt-country icon Alison Krauss, jam band kings The Allman Brothers, world music stars Angelique Kidjo and Richard Bona and a veritable host of jazz notables.

"I love diversity for the sound of the music," says Noy, "but the down side of it is that I don't like to play with somebody just once. I like to play a couple of gigs until we connect and make the music gel. I try not to diversify too much because I like the sound of a band and that means you have to play with the same guys for a while. Most of the guys I played with on these two records are guys I've played with for many years. Whenever I use certain people it's always for a reason. It depends on the music."

Twisted Blues Volume 2 seems to have taken a long time to brew, coming on to nearly three years after Volume 1 but in fact, the recording sessions were pretty quick as Noy explains: "Volume 2 took a while to make because I was very specific about who I wanted to play on what song. Sometimes it just takes time to get the guys you want in the same room together. It was only three or four days of recording but it was spread over a year in order to get everybody's schedules to line up."

Noy certainly had former Stevie Ray Vaughan sidemen Chris Layton and organist Reese Wynams in mind for several rollicking tunes on both CDs in homage to the Texas blues legend. "Whole Tone Blues" from Twisted Blues Volume 1 is almost indistinguishable from the real thing, while tracks like "Come Let Me Make Your Love Come Down" and "Blue Ball Blues" from Twisted Blues Volume 2 also have a heavy dose of Vaughan's magic in the veins.

Related Video

Shop

More Articles

Read Jamil Sheriff: Helping shape a brave new jazz world Interviews Jamil Sheriff: Helping shape a brave new jazz world
by Rokas Kucinskas
Published: February 24, 2017
Read Tim Bowness: Ghost Lights and Life Sentences Interviews Tim Bowness: Ghost Lights and Life Sentences
by John Kelman
Published: February 19, 2017
Read Laura Jurd: Big Footprints Interviews Laura Jurd: Big Footprints
by Ian Patterson
Published: February 16, 2017
Read Rick Mandyck: The Return From Now Interviews Rick Mandyck: The Return From Now
by Paul Rauch
Published: February 3, 2017
Read The Wee Trio: Full of Surprises Interviews The Wee Trio: Full of Surprises
by Geno Thackara
Published: January 27, 2017
Read "Bill Cunliffe: A Day In the Life" Interviews Bill Cunliffe: A Day In the Life
by Tish Oney
Published: November 3, 2016
Read "Ethan Margolis: Perfect Mission of Feeling" Interviews Ethan Margolis: Perfect Mission of Feeling
by Chris M. Slawecki
Published: September 6, 2016
Read "The Wee Trio: Full of Surprises" Interviews The Wee Trio: Full of Surprises
by Geno Thackara
Published: January 27, 2017
Read "Lewis Porter on John Coltrane" Interviews Lewis Porter on John Coltrane
by Victor L. Schermer
Published: September 23, 2016
Read "Thomas Marriott: Balance in Life and Music" Interviews Thomas Marriott: Balance in Life and Music
by Paul Rauch
Published: September 21, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!