Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

144

Cooper-Moore: Outtakes 1978

Troy Collins By

Sign in to view read count
A welcome reissue, Outtakes 1978 finds iconic multi-instrumentalist Cooper-Moore leading a varied set of pieces in the studio. Each track is introduced with its respective title and take number by Gretchen, listed as the recordist for the session; it even sounds like an archival album. Cooper-Moore's infatuation with tribal percussion and gospel-tinged work outs certainly help lend the set an air of timeless nostalgia.

With lineups that vary from duo to full quartet, the album encompasses all of Cooper-Moore's early interests and makes for a varied and revealing listening experience. One of the more revelatory surprises is the appearance of a young David S. Ware. It is intriguing to hear how fully-formed his tone and phrasing was almost three decades ago. Despite a few Ayler-esque glisses, he hasn't changed much. Trumpeter Mark Gould has since vanished from the scene, a vibrant voice lost to academia. Future fusion drummer Kenwood Dennard, heard here to ingeniously creative effect, has since gone on to play with the heavyweights of that genre.

The program varies a lot and as such provides a wonderful introduction to Cooper-Moore's sound world. Marimba-based African percussion duets are featured on takes 1 and 3 of "Emancipation." Ware and Moore revel in the spirit on take 8 of "Prayer," with testifying gospel intensity. But the real treats are the full group tracks. With three different takes of "Ensemble" documenting the quartet's varied interpretations, one can hear how the players hone in and focus the music from rough-hewn blasting on the first take to a more reserved and patient ninth variation. Each version is an interesting study in Dennard's roiling drums, Gould's whip-smart, precision trumpet attack, and Ware's gargantuan tenor, with the leader's otherworldly diddly-bow rumbling far below most bass instruments. Reverberating like a bass string detuned to the point of barely resonating, it is a truly unique and bizarre-sounding instrumental tonal color.

"Duo, take 11" features the diddley-bow sparring with Gould's open and muted trumpet musings. Cooper-Moore lays a vamping bed of undulating percussive tones that sound almost electronic in their unearthliness. The recording session is filled out with two free tracks, takes 5 and 6 of "Trio," that give an early glimpse into Cooper-Moore's percussive pianism and Ware's embryonic tenor. Ware drifts a bit too far into his Ayler reverence on the gospelized "Prayer, take 8," but he sounds more inspired than imitative. The only misstep comes on the final cut, a haunting vocal ballad by Abigail Goldman that features Cooper-Moore's diddly-bow resounding out a rumbling undercurrent for the repeated stanzas of prayer.

Outtakes 1978 is quite a discovery, something any fan of late-1970s loft era jazz should be sure to hear.


Track Listing: Emancipation, take 4; Ensemble 1, redo take 9; Trio, take 5; Breakdown, take 10; Duo, take 11; Ensemble 1, take 2; Prayer, take 8; Ensemble 1, take 1; Trio, take 6; Emancipation, take 3; In The Beginning.

Personnel: Cooper-Moore: piano, diddley-bow, clay fife, slap pipe, ashimba, twanger, vocal; Mark Gould: trumpet; David S. Ware: tenor sax; Kenwood Dennard: drums; Abigail Goldman: vocal.

Title: Outtakes 1978 | Year Released: 2006 | Record Label: Hopscotch Records


Tags

comments powered by Disqus

More Articles

Read Makes the Heart to Sing: Jazz Hymns CD/LP/Track Review Makes the Heart to Sing: Jazz Hymns
by Dan Bilawsky
Published: December 16, 2017
Read Song of No Regrets CD/LP/Track Review Song of No Regrets
by Jack Bowers
Published: December 16, 2017
Read Sounding Tears CD/LP/Track Review Sounding Tears
by John Sharpe
Published: December 16, 2017
Read Lighthouse CD/LP/Track Review Lighthouse
by Glenn Astarita
Published: December 16, 2017
Read Kill The Boy CD/LP/Track Review Kill The Boy
by Chris Mosey
Published: December 16, 2017
Read Rain or Shine CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read "Live North America 2016" CD/LP/Track Review Live North America 2016
by Doug Collette
Published: March 18, 2017
Read "In The Green Castle" CD/LP/Track Review In The Green Castle
by Glenn Astarita
Published: December 6, 2017
Read "Soul Trio" CD/LP/Track Review Soul Trio
by Anthony Shaw
Published: August 24, 2017
Read "First Set" CD/LP/Track Review First Set
by Jerome Wilson
Published: February 6, 2017
Read "The Study of Touch" CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read "Duets" CD/LP/Track Review Duets
by Jakob Baekgaard
Published: October 17, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!