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Aussie Baecastuff debuts on Naxos Jazz with an Eastern-influenced extravaganza.
Baecastuff, named for an indigenous Australian tobacco bush, is an Aussie sextet that believes in the wide-open electric/acoustic sound of Miles' In a Silent Way. Matt McMahon's Fender Rhodes peppers the soundscape in a way that reminds me of Keith Jarrett during his Miles tenure. Phillip Slater's open-bell further promotes the effect. Out of This World is a carefully textured landscape of tonal colors and hues. The horn team of Rick Robertson on saxophones and Slater seamlessly weave tactile stories rich in melody and time. The band's take on the standard title tune is illuminating, stripping the Harold Arlen melody to the bone while adding an anxiously suspenseful rhythmic underpinning— kind of like "Over The Rainbow" quoted in Agartha.
This is insistent music with numbing, comfortable rhythms and restless melodies. Searching, probing, Baecastuff infuses every corner of the time and sound spectrum. Their experiment is successful, providing music of durable quality. This disc will appeal to all early electric Miles fans as well as fans of RTF and Weather Report, though it is decidedly more acoustic than the latter. Traditionalists may be put off by this music, but should give it a through listening. There is a lot of bad avant-garde jazz being produced and this certainly cannot be included in that group.
Track Listing: Nabayadal; Dolphins Swim through Brushfire Skies; She Wants To Live Ensemble; Out The Window; Bells; Rocky Point; Mud; Several Points. (Total Time: 62:42)
Personnel: Rick Robertson: Soprano and Tenor Saxophones, Flute; Phillip Slater: Trumpet; Simon Barker: Drums; Matt McMahnon: Keyboards; Alexander Hewetson: Bass; Aykho Ahkrif: Percussion.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.