All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Of all the big bands that flourished during the 1960s, none was an innovative and featured better sidemen than the Clarke-Boland Big Band. This album features a complete reissue of the 1966 C-BBB Swing, Waltz, Swing album as well as unreleased material from 1967 and 1972 recording sessions. This is a unique compilation in that it features big band arrangements of waltzes by Johann Strauss, Jr. as well the the famous waltz from Richard Strauss' (no relation) opera Der Rosenkavalier. In addition to the jazz waltzes, there are also a number of compositions of Francy Boland's that were among the last to be recorded by the band before it disbanded for good in 1973.
Another unique feature of the album is that it is the only recording of the C-BBB to feature arrangements by someone other than Francy Boland. Bora Rokovich wrote the arrangments of the Strauss waltzes because Francy Boland didn't want to tamper with music he felt to be already in perfect form.
Special mention should be made of Boland's original compositions "Lotus" and "Lobsang." These works are daringly original and sound as fresh today as they did when they were originally recorded in 1972. Much of 1960s big band music sounds dated today, especially that of Don Ellis and even some of Buddy Rich and Stan Kenton, but Boland's arrangements and compositions have a timeless quality about them. Boland was also a gifted keyboardist and on these two compositions we get to hear him play organ. The flugelhorn solo by the legendary Benny Bailey on "Lobsang" is stratospheric in its tessitura and unlike any other flugelhorn solo in recorded jazz history. Herb Geller also contributes the best big band English horn work since Bob Cooper of Stan Kenton fame.
For those jazz fans who lived in Europe during the 1960s or who were lucky enough to have a short-wave radio and were able to listen in on C-BBB broadcasts on Willis Conover's Voice of America programs, this album will bring back a lot of great memories. For those who are discovering the C-BBB for the first time, Our Kinda Strauss will prove to be a revelation.
Track Listing: Fruelingsstimmen; By Strauss; Kaiserwalzer; Rosenkavalier; Wives and
Lovers; Lotus; My Favourite Things; Nights in Warsaw; Lobsang;
Greensleeves; Peter's Waltz; Cara Fea; Night Lady; Just Give Me Time;
Schoen ist die Welt; Keep on Keeping On
Personnel: Benny Bailey, Shake Keane, Jimmy Deuchar, Dusko Gojkovic, Ahmed
Muvaffak Falay, Idrees Sulieman, Derek Watkins, Art Farmer, trumpets;
Ake Persson, Nat Peck, Erik van Lier, trombones; Derek Humble, Karl
Drewo, Sal Nistico, Sahib Shihab, Johnny Griffin, Ronnie Scott, Tony Coe,
Herb Geller, Stan Robinson, saxophones; Jimmy Woode, Jr., bass; Kenny
Clarke, Kenny Clare, drums; Fats Sadi, Tony Inzalaco, percussion; Francy
Boland, piano and organ
Year Released: 1998
| Record Label: Rearward
| Style: Big Band
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.