Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

5

Shane Cooper: Oscillations

Dan Bilawsky By

Sign in to view read count
"South African Jazz" means different things to different people; to some, it's music that's smooth and pacifying, produced by artists like guitarist Jonathan Butler; to others, it's the music of icons like pianist Abdullah Ibrahim and trumpeter Hugh Masekela, both of whom became symbols of freedom during the apartheid era; and to a third group, that term represents a more open-and-modernistic slant on jazz. The list of musicians that fall into that last category include pianist Kyle Shepherd, guitarist Reza Khota, pianist Afrika Mkhize, trumpeter Marcus Wyatt, vocalist Nicky Schrire, and the man under discussion here—bassist Shane Cooper.

Cooper is a rising star in a jazz scene that's getting more and more attention in the international jazz press. Thus far, he's worked with every artist on the aforementioned list of modernists, written music for film and theater productions, and delivered electronic dance music, working under the name Card on Spokes; now, he can add leader-on-record to his résumé. Oscillations is the first album under Cooper's name and it's a winner, full of bracing lines, bold statements and inviting sounds.

This record comes on the heels of Cooper's crowning as the Standard Bank Young Artist for Jazz 2013, an award that carries a good deal of clout in South Africa's artistic community. And while the timing of the album release certainly capitalizes on the new-found attention surrounding Cooper in his homeland, the record would be buzz-worthy regardless of any award. Cooper creates music that's powerful, but not overbearing, and complex, yet accessible.

Some of the bassist's pieces, like "Broken Blues," benefit from the idea of elastic groove evolution, while others tend to run a straighter course, like "Drop Down/Deconstruct." Cooper is often content with simply laying down a riff, but he's equally comfortable grafting himself onto a saxophone line that's serving up melodic counterpoint against piano and guitar in odd metered territory, as in "Destination Unknown." When he stands alone, over hand claps on "The Herdsman," or in complete isolation on "Dead Letters (Reprise)," he delivers compelling statements that consistently reveal something new with each listen. The swing pulse is not central to his work, but Cooper demonstrates that he's more than capable of driving a band in swing-ish scenarios on "Oriah."

While Cooper deserves the lion's share of the credit for this album, his band members deserve a shout out. Khota delivers laser-focused solos that give off searing heat and pianist Bokani Dyer is a boon to the production in every way. Saxophonists Buddy Wells and Justin Bellairs, who both seem to have similar artistic sensibilities, bring energy and passion to the project, and drummer Kesivan Naidoo gives the music the kick that it's asking for.

After hearing Oscillations, the whole argument about defining "South African Jazz" seems meaningless. Why box something in when it deserves to roam far and wide like this triumphant debut?

Track Listing: Broken Blues; Destination Unknown; Dead Letters; Shadowplay; The Herdsman; Drop Down/Deconstruct; Oriah; Big Sky; Oscillations; Dead Letters (Reprise).

Personnel: Shane Cooper: double bass, electric bass, marovany; Bokani Dyer: piano, Rhodes, electric organ; Kesivan Naidoo: drums, cymbals, cowbell; Reza Khota: guitar; Justin Bellairs: alto saxophone; Buddy Wells: tenor saxophone.

Title: Oscillations | Year Released: 2013 | Record Label: Self Produced


Tags

comments powered by Disqus

More Articles

Read Bad Hombre CD/LP/Track Review Bad Hombre
by Dan Bilawsky
Published: December 12, 2017
Read Aladdin's Dream CD/LP/Track Review Aladdin's Dream
by Ian Patterson
Published: December 12, 2017
Read Glow of Benares CD/LP/Track Review Glow of Benares
by Jakob Baekgaard
Published: December 12, 2017
Read Magic Circle CD/LP/Track Review Magic Circle
by Hrayr Attarian
Published: December 12, 2017
Read A Gathering Foretold CD/LP/Track Review A Gathering Foretold
by Geannine Reid
Published: December 12, 2017
Read Swinging In The Holidays CD/LP/Track Review Swinging In The Holidays
by Dan Bilawsky
Published: December 11, 2017
Read "Trip" CD/LP/Track Review Trip
by Jeff Winbush
Published: September 12, 2017
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Dave Wayne
Published: January 24, 2017
Read "Mogoya" CD/LP/Track Review Mogoya
by James Nadal
Published: May 14, 2017
Read "Vol. 1" CD/LP/Track Review Vol. 1
by Troy Dostert
Published: July 22, 2017
Read "Rímur" CD/LP/Track Review Rímur
by Mark Sullivan
Published: May 15, 2017
Read "The Catfish" CD/LP/Track Review The Catfish
by Chris Mosey
Published: February 15, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!