Oscar Lalo creates an enchanting amalgam of Jazz and Chanson Française on his new CD, Un Peu De Toi.
The Frenchman who now lives in Montreux, Switzerland. has a charming, elegant approach to singing that he developed after navigating the Parisian cafés of Saint-Germain des Prés, as well as many East Coast Jazz clubs, when he lived in the US.
There's a simple, pure and unaffected feeling to Oscar Lalo's music. Inspired by Django Reinhardt and the Music of Hot Club of France with Stephan Grappelli, as well as French legends Jacques Brel, Serge Gainsbourg, and Michel Legrand, this recording has a heartwarming quality that crosses language barriers. No matter where they reside, listeners will find Lalo's music enchanting, possessing both a sense of humor, and a touch of tenderness.
Abaji, a multi-intrumentalist of Syrian/Turkish/Armenian/Greek roots who wrote most of the songs, continues the French tradition for songs which are snapshot-of-life descriptions. A busy performer who has played in many countries, Abaji has a gift for unraveling the nature of feelings in song.
The French songor la chanson françaiseis making a comeback these days. Inspired by legendary performers such as Edith Piaf and Jacques Brel, a new generation of singer-songwriters like Oscar Lalo, has embraced the form as a vehicle for their own creativity.
Oscar Lalo was born on March 16, 1965. From the start, music was an important part of his life because his Tunisian father helped him develop an appreciation for Arabic music, and his Parisian mother introduced her young son to "Chanson Française .
It was at the home of a family friend in a chalet high above eabove Montreux, Switzerland, the site of the world renowned Jazz Festival. Oscar learned to love Jazz, and met, in person, such legends Kenny Clarke, Herbie Hancock, and the Marsalis Brothers.
The young Frenchaen was given two recordings that shaped his music, and life, Oscar Peterson's Nigerian Marketplace, and Keith Jarrett's first solo recording, Facing You. Hearing Jarrett inspired Oscar to study the piano, first classical music, then Jazz.
But it was as a singer that he made his performance debut, at a high school concert benefit for the Polish union Solidarnösc. That was the turning point, where made singing his priority, and used the piano for accompaniment. And that's when he started working small venues, singing his originals.
At the same time, he became a lawyer, he stayed in touch with his muse by working for a firm situated right across from La Salle Pleyel, France's Carnegie Hall. And like Carnegie Hall, he was able to rent a piano room to practice at lunch, every day developing his chops and soon participating in singer/songerwriting contests all over France.
In the coming years, he would win many prizes, including recognition from French Regional TV and Radio. While visiting his Montreux friends, he played a demo tape for the owner of Swiss private radio station who liked the music so much that he offered to produce Oscar's album. And when he learned that Oscar was also an attorney, he offered Oscar a job as his legal counsel.
Oscar jumped at the opportunity to live in a country where he already had such close friends and memorable musical experiences. Not surprisingly, just a few months later he performed at Neuchâtel FestiJazz.
As fate would have it, while in Paris for rehearsals to record an album of his compositions, Oscar met his future collaborator, Abaji, producer and song writer. The two quickly developed a deep bond, and as their friendship flourished, they decided to record an album that would emphasize the range, warmth and charm of Oscar Lalo's voice. It took some years for the duo to actualize the project. In July 2004, in Paris, they finally recorded Un Peu De Toi..
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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