All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Say what you will, jazz vocalist Taeko (Fukao)'s One Love is bright and breezy. With a slight trace of accented English, she navigates through eleven mostly mid and up-tempo tunes.
Born in Kyoto, Japan, Taeko moved to New York in 1998 to begin her musical experiences by studying with jazz/gospel vocalist Juanita Hall who sang with the Thad Jones/Mel Lewis Big Band and with Jon Hendrick-protege Marion Cowings. For One Love, perhaps the most notable aspect is its use of superior musicians on separate sessions. Harry Whitaker and Misha Tsiganov share piano duties, with either Dwayne Burno or Gaku Takanashi on bass and Doug Richardson, who co-produced the album, as drummer and, on one track, pianist.
The album is bookended by two different versions of Bob Marley's "One Love." Her version of Fragos/Backer/Gasparre's "I Hear a Rhapsody" is most impressivea tune rarely performed with vocals these daysas is her heartfelt version of the Billie Holiday-associated "Trav'lin Light." For the sake of obscurity, Taeko also interprets Bobby Hutcherson and Doug Carn's "Little B's Poem," as well as Linda Creed's R&B tune, "People Make the World Go Round." There is also a Japanese language "Hosni-no Love Letter," and one tune from Doug Richardson, "Would You Believe." Taeko scats adequately, and somehow pronounces the opening lyrics from Frank Loesser's "I've Never Been in Love Before" as "neverbeen."
While still only an adequate singer, it will be worth watching how Taeko develops in the future.
Track Listing: One Love-Opening; It Could Happen To You; Dindi; Would You Believe; I've Never Been In Love Before; Hoshi-no Love Letter; I Hear A Rhapsody; Trav'lin' Light; People Make the World Go Round, Little B's Poem; One Love.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.