With the release of One After Another, add Mamiko Watanabe to the list of talented jazz pianists that have come out of Japan in recent years. Watanabe composed all of the songs on this impressive debut and they show a strong, fully developed hard bop sensibility. Watanabe's composing MO is to start off a song with a strong theme or head, as a sort of attention-grabbing mechanism, then to pull it back to where it becomes an exploratory vehicle for the soloists ("The Deep Sea exemplifies this as much as any song on the disc). The tunes are challenging and well-crafted and while Watanabe is a fine pianist, her composing is actually her most compelling aspect.
The Latin-flavored "Shadow begins with an impressive fusillade of percussion by Francisco Mela, who plays over a repeated figure and features highlights and spices from saxophonist Walter Smith. "Savanna opens in a space where pianist McCoy Tyner seemed apt to go, Smith playing deftly across the melody and clever hard bop arrangement. The band performs well on the Monk-inspired "Take It Easy, which has melodic and thematic whisps of Monk, but not, ironically enough, in Watanabe's playing.
"Say Something is another hard bop foray, simple in construction yet eloquent. "Labyrinth, too, has an off-center construction, with the chord progression leading to unexpected corners. "Jour de Pluie a Paris is an ambitious, exploratory waltz ballad on which Massimo Biolcati contributes some especially nice pizzicato and Watanabe explores every possibility the tune has to offer.
Track Listing: Shadow; Savanna; Beat Away; Take It Easy; Say Something; Labyrinth; Jour de Pluie a Paris; The Deep Sea; Paradise.
Personnel: Mamiko Watanabe: piano; Walter Smith: saxophone; Massimo Biolcati: acoustic bass; Francisco Mela: drums.
The best show I ever attended was the Zawinul Syndicate at the Blue Note in 1997. Being the youngest kids in the room, the host put us right in front of the band. The afro-beat electric set blew the roof off the building, an unforgettable sound
The best show I ever attended was the Zawinul Syndicate at the Blue Note in 1997. Being the youngest kids in the room, the host put us right in front of the band. The afro-beat electric set blew the roof off the building, an unforgettable sound. After, my girlfriend and I just sauntered up the stairs to the green room to meet the
band. I posed for a picture with Joe, after talking a little bit about boxing and how to stay healthy while the other guys in the band tore through a bucket of fried