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Oakland, CA, based jazz and improvisation protagonist, alto saxophonist Aram Shelton could hold his own with most anyone in a cutting-contest. But there's more than a whole lot of technical acumen taking place with Ton Trio II. One of the principle selling points so to speak, is how the musicians impeccably integrate the modern jazz vernacular with invocative avant-garde campaigns, heaving with impact and intensifying discourses.
The trio's spry and spunky demeanor is led by Shelton's burly tone and fluent phrasings amid a search and conquer manifesto. On "Orange Poppies," the band whirls throughwith the greatest of easea complex bop-drenched time signature as Shelton ignites a firestorm. Here, bassist Scott Brown primarily operates within the upper-registers to incite a sense of urgency, where the band lashes out with sizzling choruses, sparked by Shelton's amazingly fast flurries and gruff accents. He circumnavigates many of the rhythmic components executed by drummer Alex Vittum's crackling pulses and polyrhythmic attack, along with solos that convey poetic qualities.
The band's concentrated focus is keenly disassembled in certain movements as they loosen the vibe with free-form escapades of various hues and cadences. But the quasi, jazz-waltz oeuvre "Let's All Go," is a solid forum for Shelton to deliver John Coltrane-like chromatics via searching notes during an extended bridge as he restates and darts around the main theme, anchored by the rhythm section's blustery grooves. However, Vittum explodes with a rough and tumble solo, gushing with regimented maneuvers; fancy footwork on the bass drum, and dizzying geometrical patterns as the band closes by punching out a snaky unison chorus. Otherwise, Shelton communicates isolation and reflection on the ballad "Findings," ramped up by a mid- tempo jaunt, dyed with a harrowing storyline. Hence, the musicians' self-perpetuating cycles of enthusiastic interplay engulfs the dynamically moving parts. Indeed, a blockbuster production.
Track Listing: This Reminds Me; Orange Poppies; We Were Told; On and On; Let’s All go;
Layover; Freshly Pressed; Findings; Turncoats.
Personnel: Aram Shelton: alto saxophone; Scott Brown: bass; Alex Vittum: drums.
Year Released: 2014
| Record Label: Singlespeed Music
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...