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Tennessee blues legend Sleepy John Estes (1904-1977) spent the early part of his career recording sides for the Victor, Bluebird and Decca labels. In his later years, Estes was recorded in Chicago by Delmark Records. On 80 Highway, recorded in 1974, is a previously unreleased session from the Delmark vaults featuring Estes singing and playing guitar with his long-time collaborator Hammie Nixon singing and accompanying on harmonica.
There's an element of comfort heard in Estes' emotional vocalizing. His high-pitched inflections and relaxed phrasing is irresistible. Like any convincing blues man, Estes' sells his brand of empathy as though he were working on commission. Who couldn't buy-in to the regret and despair heard on "I'll Be Glad When You're Dead" and the title track? Sincerity and a lifetime of heartache pours out of every moan and plead on "Do Lord Remember Me." One of the more endearing tracks on the disc is "President Kennedy," where Estes expresses lament over the assassination of John F. Kennedy.
Although subtle, and relegated to a background role, Estes' guitar playing is rhythmically strong. On tunes like "Mary Comes On Home" and "Brownsville Blues," both Estes originals, the guitarist stirs up a punchy pulse when singing and instinctively backs off with quiet chords during harmonica breaks.
Nixon, who like Estes grew up around Brownsville, Tennessee, outlines each track with colorful harmonica lines. Proving to be more than a mere sidekick, Nixon lends his growling, rough-around-the-edges voice to eight tracks. The seemingly spontaneous harmonizing between the two friends on "Holy Spirit," "When The Saints Go Marching In" and "Corrine, Corrine" is as down-home as it gets. A highlight of the disc is Nixon's expressive vocal lead on the suggestive "Potato Diggin' Man."
Estes and Nixon were the real deal. On 80 Highway is a gem of a recording that captures the essence of southern country blues.
Track Listing: Love Grows In Your Heart; Potato Diggin' Man; Talk; I'll Be Glad When You're Dead; Holy Spirit; 80 Highway; When The Saints Go Marching In; Corrine, Corrine; President Kennedy (Take 14); IGA; T Model Ford; Do Lord Remember Me; Vernita Blues; Mary Comes On Home; President Kennedy (Take 13); Talk; Brownsville Blues.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.