The Amsterdam based ICP Orchestra (meaning improvisation defined as an “instant composing pool”) can best be described to Americans as Carl Stalling directs the Duke Ellington Orchestra playing chamber music. Pianist Misha Mengelberg and drummer Han Bennink lead their brand of instant composing. Mengelberg, a master of the music of both Herbie Nichols and Thelonious Monk, is the poster-child for the Dutch creative scene. He prefers odd angular melodies and playing spin-the-dial for differing styles. Drummer Han Bennink seems to never repeat himself, swinging an eccentric beat and landing a roundhouse punch from the listeners proverbial blind side.
The ICP’s latest disc, Oh, My Dog recorded in June of this past year, follows the most excellent 1999 Jubilee Varia. But where that recording was organized as two suites, this Dog hunts here, there, and everywhere. Bennink, as he has done so often with his Clusone trio, leaps from brass bands to Latin influences mixing Kurt Weill with the Modern Jazz Quartet. This band plays a Sousa-like march on “A Close Encounter with Charles’s Country Band,” only to be followed with a buttoned-down chamber piece, “A la Russe.” The genius of the ICP is presenting cartoon music without the animation. Tristan Honsinger’s “Oh me Deer!” plays like the score from a post-apocalypse West Side Story with and urban pulse and a nod to American theatre circa 1958. The band frowns on the seriousness of music, opting to set their instruments aside to whistle or bark out the title track. Their dog sounds accompany the Albert Ayler-like march, quickly deconstructs into the vocalist calling for his dog, Kafka, who runs to chase a deer. Either look deeper for meaning, or just enjoy the ride.
Track Listing: Write down Exactly; A Close Encounter with Charles
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.