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On the subject of music, bassist Charles Mingus was once quoted as saying, "You don't listen to one instrument; you listen to the music." When it comes to the music featured on the Leigh Barker Quintet's Off to Moruya, you don't just hear music, you hear good music. Originally released in the group's native Australia in 2005, bassist/composer/bandleader Leigh Barker made the decision to re-release the album more than two years later using independent sites like iTunes and CD Baby to market and promote the record abroad.
From start to finish, the playing on Moruya has a sound familiar and well-suited to American jazz audiences. Sounding as if they studied all of the great jazz from the 1930s through the 1950s before recording this album, the disc features all original music from Barker and several members of the quintet. Complete with ballads (..".And Never Will Be," and "Lonesome Night"), a Lindy-hop evoking tune ("Merimbula Part One"), a blues ("The Blues in Two Parts") and straight-ahead, smoky jazz club in old Harlem feeling songs ("Rays Dilemma," "Sprained Wrist") in addition to several other well-written songs, this disc covers a lot of musical ground.
The appeal of what Barker has accomplished with Moruya is that his position within his group allows the music to be the representative instead of his choice of instrument. Only once does Barker take a solo ("The Blues in Two Parts"). The rest of the time each group member plays in a manner that gives way to each sound bleeding into the next, ultimately producing the sound that is music. There is no superstar overplaying or undercutting of each other. Each member has a rolesometimes leading, sometimes playing the background and sometimes accompanyingand is always present.
While it would have been nice to hear Barker put himself in the forefront on a few more occasions (since Barker notes in the disc's jacket that his self-penned "Lonesome Nights" was dedicated to the love of his life, a bit more bass would have made the song more personal), Off to Moruya is a great tribute to jazz.
Track Listing: Ray's Dilemma; Atty's Exit; ...And Never Will Be; Sprained Wrist; Merimbula Part One; The Blues in Two Parts; Dr. Kowal; Medium-Fast Inswinging Yorker; Lonesome Night.
Personnel: Leigh Barker: double-bass; Alastair McGrath-Kerr: drums; Matt Boden: piano; John Felstead: saxophone; Eamon McNelis: trumpet.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com